Writing the Past
Kaup valmöguleikar
How do archaeologists make knowledge? Debates in the latter half of the twentieth century revolved around broad, abstract philosophies and theories such as positivism and hermeneutics which have all but vanished today. By contrast, in recent years there has been a great deal of attention given to more concrete, practice-based study, such as fieldwork. But where one was too abstract, the other has become too descriptive and commonly evades issues of epistemic judgement.
Writing the Past attempts to reintroduce a normative dimension to knowledge practices in archaeology, especially in relation to archaeological practice further down the ‘assembly line’ in the production of published texts, where archaeological knowledge becomes most stabilized and is widely disseminated. By exploring the composition of texts in archaeology and the relation between their structural, performative characteristics and key epistemic virtues, this book aims to move debate in both knowledge and writing practices in a new direction.
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- Taylor & Francis
- 9780429815218
- 9780367001049
- ePub
- 1
- Gavin Lucas
- English
- 2018-11-21
- 100
- 2
- 2
Kaflar
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- List of illustrations
- Acknowledgements
- 1. The production of archaeological knowledge
- The literary archaeologist
- Epistemology on the move
- Knowledge and literary production
- Doing the right thing: epistemic virtues in archaeology
- 2. Models of reasoning in Anglo-American archaeology
- The legacy of the nineteenth century
- Diverging traditions in the early twentieth century
- Explanation and the philosophy of science
- Interpretation and hermeneutics
- Theory-ladenness, paradigm-dependence and relativism
- Archaeological epistemology in the new millennium
- 3. Text types and archaeology
- Introduction
- Archaeology and narrative
- Rethinking archaeological texts
- Text types in archaeology
- Text types and the digital humanities
- 4. Textual composition and knowledge production
- Introduction
- Narrative: a sense of an ending
- Description: a sense of presence
- Argument: a sense of reason
- Exposition: a sense of order
- Conclusion: detachment as an epistemic virtue
- 5. Mobile knowledge
- Introduction
- Paradigms and exemplars
- Analogies and metaphors
- Concepts and generalizations
- Concluding remarks
- Bibliography
- Index