Visual Methodologies

Höfundur: Gillian Rose (Útgáfa: 5)
Visual Methodologies

Kaup valmöguleikar

Have you found some exciting images that you want to explore but don’t know how to start your research or what methods to choose? Do you have a question about an aspect of visual culture that you want to answer?   Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images.

With a clear step-by-step approach that is easy to dip in and out of, the book features:   •Key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials  •‘Focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities  •Guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the book This bestselling critical guide is the perfect companion to visual methods projects for undergraduates, graduates, researchers and academics across the social sciences and humanities.

Nánar um bókina

Útgefandi
SAGE Publications, Ltd. (UK)
ISBN
9781529785920
Print ISBN
9781529767193
Format
ePub
Útgáfa
5
Höfundar
Gillian Rose
Tungumál
English
Útgefið
2022-09-24
Prent takmörkun á líftíma
100
Prent takmörkun
30
Afritunar takmörkun
30

Kaflar

  • Figures and Tables
  • About the Author
  • Acknowledgements
  • Preface: Introducing the Fifth Edition
  • 1 How to use this book
  • 1.1 The Four Parts of this Book
  • 1.2 Introducing the Book’s Approach: A Critical Visual Methodology
  • 1.3 How to Use this Book Selectively
  • 1.4 How the Methods Chapters are Organised
  • 1.5 Why You Should Read More than Just this Book
  • 1.6 Two Final Remarks
  • Further Reading
  • I Contexts
  • 2 Researching with visual materials: a brief survey of conceptual debates
  • 2.1 An Introductory Survey of ‘The Visual’
  • 2.2 Visual Research Methods: Finding and Making Images
  • 2.3 Understanding the Social Effects of Visual Materials
  • 2.4 Three Criteria for a Critical Visual Methodology
  • Summary: Researching with Visual Materials
  • Further Reading
  • 3 A critical visual methodology
  • 3.1 Introducing the Four Sites of a Critical Visual Methodology: Production, the Image Itself, its Circulation and its Audiencing
  • 3.2 The Site of Production
  • 3.3 The Site of the Image
  • 3.4 The Site of Circulation
  • 3.5 The Site of Audiencing
  • Summary: A Critical Visual Methodology
  • Further Reading
  • II DESIGN
  • 4 Understanding visual research ethics
  • 4.1 Research Ethics and Visual Materials: An Introduction
  • 4.2 Consent
  • 4.3 Anonymity
  • 4.4 The Institutional Framework
  • 4.5 Legal Considerations: Copyright, GDPR and Terms and Conditions
  • 4.6 The Researcher’s Own Responsibility for Ethical Seeing
  • Summary: Visual Research Ethics
  • Further Reading
  • 5 Designing a visual methods research project
  • 5.1 An Introduction to Designing a Visual Methods Research Project
  • 5.2 Defining the Project
  • 5.3 Deciding on Your Method(s)
  • 5.4 The Importance of Iteration in Research Design
  • Summary: Designing a Visual Methods Research Project
  • Further Reading
  • 6 How to find, format, reference and reproduce images
  • 6.1 Finding Your Images
  • 6.2 The Format of Your Images
  • 6.3 Referencing Your Images
  • 6.4 Reproducing Your Images
  • III METHODS
  • 7 Compositional interpretation: looking with a ‘good eye’
  • 7.1 Compositional Interpretation: An Introduction
  • 7.2 Compositional Interpretation: Technologies and the Production of the Image
  • 7.3 The Compositionality of the Image Itself
  • 7.4 Compositional Interpretation: An Assessment
  • Summary: Compositional Interpretation
  • Further Reading
  • 8 Content analysis and cultural analytics: Finding patterns inwhat you see
  • 8.1 Content Analysis and Cultural Analytics: An Introduction
  • 8.2 Four Steps to Content Analysis
  • 8.3 Doing Cultural Analytics
  • 8.4 Content Analysis and Cultural Analytics: An Assessment
  • Summary: Content Analysis and Cultural Analytics
  • Further Reading
  • 9 Semiology: Making sense of signs
  • 9.1 Semiology: An Introduction
  • 9.2 Choosing Images for a Semiological Study
  • 9.3 The Sign and its Meaning-making Processes in Mainstream Semiology
  • 9.4 Social Semiotics: Making Meaning Socially
  • 9.5 Semiology: An Assessment
  • Summary: Semiology
  • Further Reading
  • 10 Discourse analysis I: Text, intertextuality and context
  • 10.1 Discourse and Visual Culture: An Introduction
  • 10.2 Discourse, Discourse Analysis I and Discourse Analysis II
  • 10.3 Finding Your Sources for a Discourse Analysis I
  • 10.4 Discourse Analysis I: The Production and Rhetorical Organisation of Discourse
  • 10.5 Discourse Analysis I and Reflexivity
  • 10.6 Discourse Analysis I: An Assessment
  • Summary: Discourse Analysis I
  • Further Reading
  • 11 Discourse analysis II: institutions, objects and displays
  • 11.1 Another Introduction to Discourse and Visual Culture
  • 11.2 Finding Your Sources for Discourse Analysis II
  • 11.3 The Apparatus of the Gallery and the Museum
  • 11.4 The Technologies of the Gallery and the Museum
  • 11.5 The Visitor
  • 11.6 Discourse Analysis II: An Assessment
  • Summary: Discourse Analysis II
  • Further Reading
  • 12 Interviews and ethnographies: Studying audiences, fans and users
  • 12.1 Researching How Images are Seen: An Introduction
  • 12.2 Finding Visual Materials for Studies of Audiences, Fans and Users
  • 12.3 Interviews with Audiences, Fans and Users
  • 12.4 Ethnographies of Audiences, Fans and Users
  • 12.5 Interviews and Ethnographies of Audiencing: An Assessment
  • Summary: Interviews and Ethnographies
  • Further Reading
  • 13 Making images as research data: Documentation, elicitation andparticipation
  • 13.1 Making Images as Research Data: An Introduction
  • 13.2 Photo-documentation
  • 13.3 Photo-elicitation
  • 13.4 Participatory Photography
  • 13.5 Making Photographs as Research Data: An Assessment
  • Summary: Making Images for Documentation, Elicitation andParticipation
  • Further Reading
  • 14 Applying digital methods to digital images
  • 14.1 Digital Methods: An Introduction
  • 14.2 To Use a Digital Method, Do I Need to Know How to Code?
  • 14.3 How to Access Digital Objects for Digital Methods
  • 14.4 Analysing the Images Digitally
  • 14.5 Digital Methods: An Assessment
  • Summary: Digital Methods
  • Further Reading
  • IV ENGAGEMENT
  • 15 Using images to make research findings engaging
  • 15.1 An Introduction to Using Images to Create Engagementwith Research Findings
  • 15.2 What Findings Do You Want to Share Visually?
  • 15.3 What Audience Do You Want to Reach?
  • 15.4 So How Should You Design Your Visuals?
  • 15.5 Reaching Your Audience
  • 15.6 Using Images to Make Research Findings Engaging: An Assessment
  • Further Reading
  • References
  • Name Index
  • Subject Index