The Seven Basic Plots

Höfundur: Christopher Booker (Útgáfa: 1)
The Seven Basic Plots

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This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling.

But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E. T. , Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose.

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Útgefandi
Bloomsbury UK
ISBN
9781441116512
Print ISBN
9781472976185
Format
ePub
Útgáfa
1
Höfundar
Christopher Booker
Tungumál
English
Útgefið
2005-11-11
Prent takmörkun á líftíma
100
Prent takmörkun
2
Afritunar takmörkun
2

Kaflar

  • Cover
  • Title
  • Contents
  • Introduction and historical notes
  • Part One: The Seven Gateways to the Underworld
  • Prologue to Part One
  • Chapter 1. Overcoming the Monster
  • Chapter 2. The Monster (II) and the Thrilling Escape From Death
  • Chapter 3. Rags to Riches
  • Chapter 4. The Quest
  • Chapter 5. Voyage and Return
  • Chapter 6. Comedy
  • Chapter 7. Comedy (II): The Plot Disguised
  • Chapter 8. Tragedy (I): The Five Stages
  • Chapter 9. Tragedy (II): The Divided Self
  • Chapter 10. Tragedy (III): The Hero as Monster
  • Chapter 11. Rebirth
  • Chapter 12. The Dark Power: From Shadow into Light
  • Epilogue to Part One: The Rule of Three (the role played in stories by numbers)
  • Part Two: The Complete Happy Ending
  • Prologue to Part Two
  • Chapter 13. The Dark Figures
  • Chapter 14. Seeing Whole: The Feminine and Masculine Values
  • Chapter 15. The Perfect Balance
  • Chapter 16. The Unrealised Value
  • Chapter 17. The Archetypal Family Drama (Continued)
  • Chapter 18. The Light Figures
  • Chapter 19. Reaching the Goal
  • Chapter 20. The Fatal Flaw
  • Part Three: Missing the Mark
  • Chapter 21. The Ego Takes Over (I): Enter the Dark Inversion
  • Chapter 22. The Ego Takes Over (II): The Dark and Sentimental Versions
  • Chapter 23. The Ego Takes Over (III): Quest, Voyage and Return, Comedy
  • Chapter 24. The Ego Takes Over (IV): Tragedy and Rebirth
  • Chapter 25. Losing the Plot: Thomas Hardy – A Case History
  • Chapter 26. Going Nowhere: The Passive Ego. The Twentieth-Century Dead End – From Chekhov to Close Encounters
  • Chapter 27. Why Sex and Violence? The Active Ego. The Twentieth-Century Obsession: From de Sade to The Terminator
  • Chapter 28. Rebellion Against ‘The One’: From Job to Nineteen Eighty-Four
  • Chapter 29. The Mystery
  • Chapter 30. The Riddle of the Sphinx: Oedipus and Hamlet
  • Part Four: Why We Tell Stories
  • Chapter 31. Telling Us Who We Are: Ego versus Instinct
  • Chapter 32. Into the Real World: The Ruling Consciousness
  • Chapter 33. Of Gods and Men: Reconnecting with ‘The One’
  • Chapter 34. The Age of Loki: The Dismantling of the Self
  • Epilogue: The Light and the Shadows on the Wall
  • Author’s Personal Note
  • Glossary of Terms
  • Bibliography
  • Index of Stories Cited
  • General Index
  • eCopyright