The Norton Anthology of English Literature

Höfundur: Stephen Greenblatt (Útgáfa: 11)
The Norton Anthology of English Literature

Kaup valmöguleikar

A sweeping revision that speaks to how English literature is taught today. From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature.

Nánar um bókina

Útgefandi
W. W. Norton
ISBN
9781324062806
Print ISBN
9781324072812
Format
ePub
Útgáfa
11
Höfundar
Stephen Greenblatt
Tungumál
English
Útgefið
2024-07-15
Prent takmörkun á líftíma
100
Prent takmörkun
2
Afritunar takmörkun
2

Kaflar

  • Cover
  • Publisher’s Notice
  • Half-title Page
  • Periods and Editors
  • Title Page
  • Copyright
  • Contents
  • Preface
  • Acknowledgments
  • VOLUME D: The Romantic Period
  • PERIOD INTRODUCTION: The Romantic Period (1785–1832)
  • Period Introduction: Opener
  • Period Introduction: Revolution and Reaction
  • Period Introduction: The New Poetries: Theory and Practice
  • Period Introduction: Writing in the Marketplace and the Law Courts
  • Period Introduction: Other Literary Forms
  • Period Introduction: Timeline of the Romantic Period
  • BALLADRY AND BALLAD REVIVALS
  • Lord Randall
  • Bonny Barbara Allan
  • The Wife of Usher’s Well
  • The Three Ravens
  • Sir Patrick Spens
  • The Dæmon-lover
  • ANNA LETITIA BARBAULD (1743–1825)
  • A Summer Evening’s Meditation
  • Epistle to William Wilberforce, Esq., on the Rejection of the Bill for Abolishing the Slave Trade
  • The Rights of Woman
  • To a Little Invisible Being Who Is Expected Soon to Become Visible
  • Inscription for an Ice-House
  • Washing-Day
  • The Caterpillar
  • SCIENCE, SPECULATION, AND EXPERIMENT
  • ANNA LETITIA BARBAULD
  • The Mouse’s Petition
  • An Inventory of the Furniture in Dr. Priestley’s Study
  • CAROLINE HERSCHEL
  • An Account of a New Comet
  • GILBERT WHITE
  • From The Natural History of Selborne
  • ERASMUS DARWIN
  • From The Loves of the Plants
  • HUMPHRY DAVY
  • From A Discourse Introductory to a Course of Lectures on Chemistry
  • MARY SOMERVILLE
  • From On the Connexion of the Physical Sciences
  • CHARLOTTE SMITH (1749–1806)
  • From Elegiac Sonnets
  • Written at the Close of Spring
  • To Sleep
  • To the North Star (Supposed to Be Written by Werter)
  • By the Same (Just before his death)
  • To Night
  • Written in the Church-Yard at Middleton in Sussex
  • To Fancy
  • On Being Cautioned against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic
  • To the Insect of the Gossamer
  • The Sea View
  • The Swallow
  • Beachy Head
  • MARY ROBINSON (1757?–1800)
  • January, 1795
  • London’s Summer Morning
  • The Poor Singing Dame
  • The Haunted Beach
  • The Poet’s Garret
  • To the Poet Coleridge
  • The Savage of Aveyron
  • WILLIAM BLAKE (1757–1827)
  • All Religions Are One
  • There Is No Natural Religion [a]
  • There Is No Natural Religion [b]
  • From Songs of Innocence and of Experience
  • From Songs of Innocence
  • Introduction
  • The Ecchoing Green
  • The Lamb
  • The Little Black Boy
  • The Chimney Sweeper
  • The Divine Image
  • Holy Thursday
  • Nurse’s Song
  • Infant Joy
  • On Anothers Sorrow
  • From Songs of Experience
  • Introduction
  • Earth’s Answer
  • The Clod & the Pebble
  • Holy Thursday
  • The Chimney Sweeper
  • Nurse’s Song
  • The Sick Rose
  • The Fly
  • The Tyger
  • My Pretty Rose Tree
  • Ah! Sun-flower
  • The Garden of Love
  • London
  • The Human Abstract
  • Infant Sorrow
  • A Poison Tree
  • To Tirzah
  • A Divine Image
  • Visions of the Daughters of Albion
  • Text of the Visions of the Daughters of Albion
  • The Marriage of Heaven and Hell
  • Text of the Marriage of Heaven and Hell
  • A Song of Liberty
  • America: A Prophecy
  • Text of America: A Prophecy
  • And did those feet
  • ROBERT BURNS (1759–1796)
  • To a Mouse
  • To a Louse
  • Green Grow the Rashes
  • Holy Willie’s Prayer
  • Tam o’ Shanter: A Tale
  • Such a Parcel of Rogues in a Nation
  • Robert Bruce’s March to Bannockburn
  • Song: For a’ that and a’ that
  • A Red, Red Rose
  • Auld Lang Syne
  • AN AGE OF REVOLUTIONS
  • THE FRENCH REVOLUTION CONTROVERSY
  • RICHARD PRICE
  • From A Discourse on the Love of Our Country
  • EDMUND BURKE
  • From Reflections on the Revolution in France
  • MARY WOLLSTONECRAFT
  • From A Vindication of the Rights of Men
  • THOMAS PAINE
  • From Rights of Man
  • JAMES GILLRAY
  • Smelling out a Rat
  • French Liberty, British Slavery
  • The Zenith of French Glory
  • The British Butcher
  • THE HAITIAN REVOLUTION
  • BRYAN EDWARDS
  • From An Historical Survey of the French Colony in the Island of Saint Domingo
  • MARCUS RAINSFORD
  • From An Historical Account of the Black Empire of Hayti
  • TOUSSAINT LOUVERTURE
  • From Constitution of the French Colony of St. Domingo
  • JEAN-JACQUES DESSALINES, HENRI CHRISTOPHE, AND AUGUSTIN CLERVEAUX
  • Declaration of the Independence of the Blacks of St. Domingo
  • MARY WOLLSTONECRAFT (1759–1797)
  • From A Vindication of the Rights of Woman
  • From The Dedication to M. Talleyrand-Périgord
  • Introduction
  • Chapter 2. The Prevailing Opinion of a Sexual Character Discussed
  • From Chapter 4. Observations on the State of Degradation to Which Woman Is Reduced by Various Causes.
  • Letters Written during a Short Residence in Sweden, Norway, and Denmark
  • Advertisement
  • Letter 1
  • From Letter 5
  • MARIA EDGEWORTH (1768–1849)
  • The Irish Incognito
  • THE GOTHIC AND THE DEVELOPMENT OF A MASS READERSHIP
  • HORACE WALPOLE
  • From The Castle of Otranto
  • ANNA LETITIA AIKIN (LATER BARBAULD) AND JOHN AIKIN
  • On the Pleasure Derived from Objects of Terror; with Sir Bertrand, a Fragment
  • ANN RADCLIFFE
  • From The Romance of the Forest
  • From The Mysteries of Udolpho
  • MATTHEW GREGORY LEWIS
  • From The Monk
  • From Chapter 2
  • From Chapter 8
  • SAMUEL TAYLOR COLERIDGE
  • From Review of The Monk by Matthew Lewis
  • From Biographia Literaria
  • WILLIAM WORDSWORTH (1770–1850)
  • From Lyrical Ballads
  • Goody Blake and Harry Gill
  • Simon Lee
  • We Are Seven
  • Lines Written in Early Spring
  • The Thorn
  • Expostulation and Reply
  • The Tables Turned
  • Old Man Travelling
  • Lines Composed a Few Miles above Tintern Abbey
  • Preface to Lyrical Ballads (1802)
  • [The Subject and Language of Poetry]
  • [“What is a Poet?”]
  • [“Emotion Recollected in Tranquillity”]
  • Strange fits of passion have I known
  • She dwelt among the untrodden ways
  • Three years she grew
  • A slumber did my spirit seal
  • I travelled among unknown men
  • Nutting
  • The Ruined Cottage
  • Michael
  • Resolution and Independence
  • I wandered lonely as a cloud
  • My heart leaps up
  • Ode: Intimations of Immortality
  • Text of Ode: Intimations of Immortality
  • The Solitary Reaper
  • Sonnets
  • Prefatory Sonnet [Nuns fret not]
  • Composed upon Westminster Bridge, September 3, 1802
  • It is a beauteous evening
  • To Toussaint l’Ouverture
  • September 1st, 1802
  • London, 1802
  • The world is too much with us
  • Surprised by joy
  • Steamboats, Viaducts, and Railways
  • The 1805 Prelude
  • Book First. Introduction: Childhood and School-time
  • From Book Second. School-time (Continued)
  • [“Blessed the Infant Babe”]
  • [Address to Coleridge]
  • From Book Fifth. Books
  • [The Dream of the Arab]
  • [The Boy of Winander; The Drowned Man]
  • From Book Sixth. Cambridge and the Alps
  • [“Human Nature Seeming Born Again”]
  • [Crossing Simplon Pass]
  • From Book Seventh. Residence in London [The Blind Beggar; Bartholomew Fair]
  • From Book Tenth. Residence in France and French Revolution
  • [Retrospect: First Impression of the Revolution]
  • [Crisis and Recovery]
  • From Book Eleventh. Imagination, How Impaired and Restored [Spots of Time]
  • From Book Thirteenth. Conclusion
  • [Vision on Mount Snowdon]
  • [Final Prophecy]
  • DOROTHY WORDSWORTH (1771–1855)
  • From The Alfoxden Journal
  • From The Grasmere Journals
  • Grasmere—A Fragment
  • Floating Island
  • Thoughts on My Sick-Bed
  • SIR WALTER SCOTT (1771–1832)
  • From The Lay of the Last Minstrel
  • Proud Maisie
  • Wandering Willie’s Tale
  • From Redgauntlet: Wandering Willie’s Tale
  • SAMUEL TAYLOR COLERIDGE (1772–1834)
  • The Eolian Harp
  • This Lime-Tree Bower My Prison
  • The Rime of the Ancient Mariner
  • Part 1
  • Part 2
  • Part 3
  • Part 4
  • Part 5
  • Part 6
  • Part 7
  • Kubla Khan
  • Christabel
  • Frost at Midnight
  • Dejection: An Ode
  • The Pains of Sleep
  • To William Wordsworth
  • Epitaph
  • Biographia Literaria
  • From Chapter 4
  • [Mr. Wordsworth’s Earlier Poems]
  • [On Fancy and Imagination—The Investigation of the Distinction Important to the Fine Arts]
  • From Chapter 13 [On the Imagination, or Esemplastic Power]
  • Chapter 14. Occasion of the Lyrical Ballads, and the Objects Originally Proposed—Preface to the Second Edition—The Ensuing Controversy, Its Causes and Acrimony—Philosophic Definitions of a Poem and Poetry with Scholia.
  • From Chapter 17
  • [Examination of the Tenets Peculiar to Mr. Wordsworth]
  • [Rustic Life (Above All, low and Rustic Life) Especially Unfavorable to the Formation of a Human Diction—The Best Parts of Language the Products of Philosophers, not Clowns or Shepherds]
  • [The Language of Milton as Much the Language of Real Life, Yea, Incomparably More so than that of the Cottager]
  • SLAVERY AND THE LITERATURE OF ABOLITION
  • JOHN NEWTON
  • Faith’s Review and Expectation (Amazing Grace)
  • THOMAS CLARKSON
  • From Essay on the Slavery and Commerce of the Human Species
  • From Part III, Chapter 1 (“Imaginary conversation with an African”)
  • From Part III, Chapter 3 (“The dimensions of a slave vessel” and the Zong Incident)
  • WILLIAM COWPER
  • The Negro’s Complaint
  • OLAUDAH EQUIANO
  • From The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself
  • From Chapter 3 [From Virginia to England]
  • From Chapter 4 [Sold Again]
  • From Chapter 5 [Cruelty of the West Indian Planters]
  • HANNAH MORE AND EAGLESFIELD SMITH
  • From The Sorrows of Yamba; or, The Negro Woman’s Lamentation
  • WILLIAM COBBETT
  • From Slave Trade
  • ROBERT WEDDERBURN
  • From The Axe Laid to the Root
  • ELIZABETH HEYRICK
  • From Immediate, Not Gradual Abolition
  • MARY PRINCE
  • From The History of Mary Prince, A West Indian Slave, Related by Herself
  • CHARLES LAMB (1775–1834)
  • Detached Thoughts on Books and Reading
  • Old China
  • JANE AUSTEN (1775–1817)
  • Love and Friendship
  • Love and Friendship: A Novel in a Series of Letters
  • Plan of a Novel, According to Hints from Various Quarters
  • WILLIAM HAZLITT (1778–1830)
  • From Characters of Shakespeare’s Plays: From Coriolanus
  • On Going a Journey
  • THOMAS DE QUINCEY (1785–1859)
  • From Confessions of an English Opium-Eater
  • From Preliminary Confessions [Oxford Street and Ann]
  • From Introduction to the Pains of Opium [The Malay]
  • From The Pains of Opium [Opium Reveries and Dreams]
  • GEORGE GORDON, LORD BYRON (1788–1824)
  • Written after Swimming from Sestos to Abydos
  • She Walks in Beauty
  • Darkness
  • So we’ll go no more a roving
  • From Childe Harold’s Pilgrimage: A Romaunt
  • From Canto the First [“Sin’s Long Labyrinth”]
  • From Canto the Third
  • ["Once More upon the Waters"]
  • [Waterloo]
  • [Napoleon]
  • [Switzerland]
  • Manfred
  • Act 1
  • Scene 1
  • Scene 2
  • Act 2
  • Scene 1
  • Scene 2
  • Scene 3
  • Scene 4
  • Act 3
  • Scene 1
  • Scene 2
  • Scene 3
  • Scene 4
  • Don Juan
  • Fragment
  • From Canto I [Juan and Donna Julia]
  • From Canto II [The Shipwreck]
  • From Canto XI
  • [Don Juan’s Journey to London]
  • [Arrival in London]
  • [Social Success]
  • [“Change Grows Too Changeable”]
  • On This Day I Complete My Thirty-Sixth Year
  • ROMANTIC LITERATURE AND WARTIME
  • WILLIAM GODWIN
  • From Enquiry Concerning Political Justice and Its Influence on General Virtue and Happiness
  • WILLIAM WORDSWORTH
  • The Discharged Soldier
  • SAMUEL TAYLOR COLERIDGE
  • From Fears in Solitude
  • ROBERT SOUTHEY
  • The Victory
  • MARY ROBINSON
  • The Camp
  • ANNA LETITIA BARBAULD
  • From Eighteen Hundred and Eleven, a Poem
  • GEORGE GORDON, LORD BYRON
  • From Don Juan, Canto VIII
  • PERCY BYSSHE SHELLEY (1792–1822)
  • Mutability
  • To Wordsworth
  • Alastor; or, The Spirit of Solitude
  • Text of Alastor; or, The Spirit of Solitude
  • Mont Blanc
  • Hymn to Intellectual Beauty
  • Ozymandias
  • On Love
  • Stanzas Written in Dejection—December 1818, near Naples
  • Sonnet [Lift not the painted veil]
  • The Mask of Anarchy
  • Text of The Mask of Anarchy
  • England in 1819
  • To Sidmouth and Castlereagh
  • Ode to the West Wind
  • Prometheus Unbound
  • Preface
  • Act 1
  • From Act 2
  • Scene 4
  • Scene 5
  • From Act 3
  • Scene 1
  • From Scene 4
  • The Cloud
  • To a Sky-Lark
  • To Night
  • To ——— [Music, when soft voices die]
  • O World, O Life, O Time
  • Chorus from Hellas
  • The world’s great age
  • Adonais
  • Text of Adonais
  • When the lamp is shattered
  • A Defence of Poetry
  • From A Defence of Poetry
  • JOHN CLARE (1793–1864)
  • Life, Death, and Eternity
  • The Nightingale’s Nest
  • Insects
  • The Yellowhammer’s Nest
  • Pastoral Poesy
  • [The Lament of Swordy Well]
  • [Mouse’s Nest]
  • [The Badger]
  • A Vision
  • I Am
  • An Invite to Eternity
  • Clock a Clay
  • The Peasant Poet
  • FELICIA DOROTHEA HEMANS (1793–1835)
  • England’s Dead
  • Casabianca
  • Corinne at the Capitol
  • The Homes of England
  • Properzia Rossi
  • Indian Woman’s Death Song
  • The Landing of the Pilgrim Fathers in New England
  • The Image in Lava
  • A Spirit’s Return
  • THE ROMANTIC IMAGINATION AND THE “ORIENTAL NATIONS”
  • BARON DE MONTESQUIEU (CHARLES-LOUIS DE SECONDAT)
  • From The Spirit of the Laws
  • Book V, Chapter 13: An Idea of Despotic Power
  • From Book V, Chapter 14: In What Manner the Laws Are Relative to the Principles of Despotic Government
  • SIR WILLIAM JONES
  • From On the Poetry of the Eastern Nations
  • JAMES BEATTIE
  • From On Fable and Romance
  • SIR WILLIAM JONES
  • Hymn to Camdeo
  • WILLIAM BECKFORD
  • From The History of the Caliph Vathek
  • ROBERT SOUTHEY
  • From Jaga-Naut
  • SYDNEY OWENSON
  • From The Missionary: An Indian Tale
  • GEORGE GORDON, LORD BYRON
  • From The Giaour: A Fragment of a Turkish Tale
  • LETITIA ELIZABETH LANDON
  • Immolation of a Hindoo Widow
  • JOHN KEATS (1795–1821)
  • On First Looking into Chapman’s Homer
  • From Sleep and Poetry [“O for Ten Years”]
  • On Seeing the Elgin Marbles
  • From Endymion: A Poetic Romance
  • Preface
  • From Book 1
  • [“A Thing of Beauty”]
  • [The “Pleasure Thermometer”]
  • On Sitting Down to Read King Lear Once Again
  • When I have fears that I may cease to be
  • To Homer
  • The Eve of St. Agnes
  • Why did I laugh tonight? No voice will tell
  • Bright star, would I were stedfast as thou art
  • La Belle Dame sans Merci: A Ballad
  • On Fame
  • Sonnet to Sleep
  • Ode to Psyche
  • On the Sonnet
  • Ode to a Nightingale
  • Ode on a Grecian Urn
  • Ode on Melancholy
  • Text of Ode on Melancholy
  • Ode on Indolence
  • Lamia
  • Part 1
  • Part 2
  • To Autumn
  • The Fall of Hyperion: A Dream
  • Canto 1
  • Canto 2
  • This living hand, now warm and capable
  • Letters
  • To Benjamin Bailey (Nov. 22, 1817) [“The authenticity of the Imagination”]
  • To George and Thomas Keats (Dec. 21, 27 [?], 1817) [“Negative Capability”]
  • To John Hamilton Reynolds (Feb. 3, 1818) [Wordsworth’s Poetry]
  • To John Taylor (Feb. 27, 1818) [Keats’s Axioms in Poetry]
  • To John Hamilton Reynolds (May 3, 1818) [Milton, Wordsworth, and the Chambers of Human Life]
  • To Richard Woodhouse (Oct. 27, 1818) [“A Poet Has No Identity”]
  • To George and Georgiana Keats (Feb. 14–May 3, 1819) [“The vale of Soul-making”]
  • To Fanny Brawne (July 25, 1819) [Fanny Brawne as Keats’s “Fair Star”]
  • MARY WOLLSTONECRAFT SHELLEY (1797–1851)
  • From The Last Man: Introduction
  • The Mortal Immortal
  • LETITIA ELIZABETH LANDON (1802–1838)
  • From The Improvisatrice: Sappho’s Song
  • Lines Written Under a Picture of a Girl Burning a Love-Letter
  • Love’s Last Lesson
  • Lines of Life
  • The Factory
  • The Fairy of the Fountains
  • Part I
  • Part II
  • Felicia Hemans
  • HENRY LOUIS VIVIAN DEROZIO (1809–1831)
  • The Harp of India
  • Thomas Moore: Dear Harp of My Country
  • Freedom to the Slave
  • Ode (from the Persian of Hafiz)
  • The Ruins of Rajmahal
  • [To India]
  • VOLUME E: The Victorian Age
  • PERIOD INTRODUCTION: The Victorian Age (1830–1901)
  • Period Introduction: Prologue: Sarah Forbes Bonetta, Eminent Victorian
  • Period Introduction: The “Victorian Age”
  • Period Introduction: The Waning of Belief
  • Period Introduction: Women and the Politics of Domesticity
  • Period Introduction: Literary Innovations of the Nineteenth Century
  • Period Introduction: Timeline of the Victorian Age
  • GREAT BRITAIN’S IMPERIAL MISSION
  • RICHARD COBDEN
  • From How Wars Are Got Up in India
  • JOHN STUART MILL
  • A Few Words on Non-Intervention
  • SIR HENRY JOHN NEWBOLT
  • Vitaï Lampada
  • JOSEPH CHAMBERLAIN
  • From The True Conception of Empire
  • J. A. HOBSON
  • From Imperialism: A Study
  • SLAVERY, ABOLITION, AND THE PLANTATION SYSTEM
  • MARY PRINCE
  • From The History of Mary Prince, a West Indian Slave
  • THOMAS CARLYLE AND JOHN STUART MILL
  • Carlyle: From Occasional Discourse on the Negro Question
  • Mill: From The Negro Question
  • HARRIET BEECHER STOWE
  • From Uncle Tom’s Cabin
  • JAMES ANTHONY FROUDE
  • From The English in the West Indies
  • JOHN JACOB THOMAS
  • From Froudacity
  • INDIA: THE “JEWEL IN THE CROWN”
  • THOMAS BABINGTON MACAULAY
  • From Minute on Indian Education
  • WILLIAM HOWARD RUSSELL
  • From My Diary in India, in the Year 1858–59
  • F. A. (FLORA ANNIE) STEEL AND G. (GRACE) GARDINER
  • From The Complete Indian Housekeeper and Cook
  • T. N. MUKHARJI
  • From A Visit to Europe
  • SETTLER COLONIALISM: CANADA, AUSTRALIA, NEW ZEALAND, SOUTH AFRICA
  • SUSANNA MOODIE
  • From Roughing It in the Bush; or, Life in Canada
  • E. PAULINE JOHNSON/TEKAHIONWAKE
  • The Corn Husker
  • ANTHONY TROLLOPE
  • From South Australia and Western Australia
  • OLIVE SCHREINER
  • From Stray Thoughts on South Africa
  • BRITISH ISLES: IRELAND, SCOTLAND, WALES
  • SPERANZA [LADY JANE FRANCESCA WILDE]
  • The Famine Year
  • ANONYMOUS
  • Proclamation of an Irish Republic
  • MATTHEW ARNOLD
  • From On the Study of Celtic Literature
  • JANET HAMILTON
  • Rhymes for the Times, IV.—1865.
  • THOMAS CARLYLE (1795–1881)
  • From Signs of the Times
  • From Past and Present
  • From Democracy
  • Captains of Industry
  • MARY SEACOLE (1805–1881)
  • From The Wonderful Adventures of Mrs. Seacole in Many Lands
  • Chapter I
  • From Chapter II
  • From Chapter IV
  • From Chapter VI
  • Chapter VIII
  • Chapter IX
  • From Chapter XIII
  • Conclusion
  • JOHN STUART MILL (1806–1873)
  • What Is Poetry?
  • From On Liberty
  • From Chapter 1. Introductory
  • From Chapter 3. Of Individuality as One of the Elements of Well-Being
  • From The Subjection of Women
  • ELIZABETH BARRETT BROWNING (1806–1861)
  • The Cry of the Children
  • To George Sand: A Desire
  • To George Sand: A Recognition
  • From Sonnets from the Portuguese
  • 21 (Say over again, and yet once over again)
  • 22 (When our two souls stand up erect and strong)
  • 32 (The first time that the sun rose on thine oath)
  • 43 (How do I love thee? Let me count the ways)
  • The Runaway Slave at Pilgrim’s Point
  • Hiram Powers’ Greek Slave
  • From Aurora Leigh
  • From Book 1 [The Education of Aurora Leigh]
  • From Book 2
  • [Aurora’s Aspirations]
  • [Aurora’s Rejection of Romney]
  • From Book 5 [Poets and the Present Age]
  • A Curse for a Nation
  • Mother and Poet
  • ALFRED, LORD TENNYSON (1809–1892)
  • Mariana
  • The Lady of Shalott
  • Part 1
  • Part 2
  • Part 3
  • Part 4
  • The Lotos-Eaters
  • Ulysses
  • Tithonus
  • Break, Break, Break
  • Locksley Hall
  • From The Princess
  • Tears, Idle Tears
  • Now Sleeps the Crimson Petal
  • [“The woman’s cause is man’s”]
  • In Memoriam A. H. H.
  • From In Memoriam A. H. H.
  • The Charge of the Light Brigade
  • The Defence of Lucknow
  • Crossing the Bar
  • CHARLES DARWIN (1809–1882)
  • From On the Origin of Species by Means of Natural Selection
  • From Chapter 3. Struggle for Existence
  • From Chapter 14. Conclusion
  • From The Descent of Man, and Selection in Relation to Sex
  • From Chapter 4. Comparison of the Mental Powers of Man and the Lower Animals
  • From Chapter 7. Of the Races of Man
  • From Chapter 19. Secondary Sexual Characters of Man
  • From Chapter 21. General Summary and Conclusion
  • LEONARD HUXLEY
  • From The Life and Letters of Thomas Henry Huxley [The Huxley–Wilberforce Debate at Oxford]
  • THE PROMISE AND PRICE OF INDUSTRIALIZATION
  • POVERTY AND POLITICS
  • THOMAS HOOD
  • The Song of the Shirt
  • ERNEST JONES
  • The Song of the Low
  • THE CHILDREN’S EMPLOYMENT COMMISSION
  • From First Report of the Commissioners, Mines
  • ADA NIELD CHEW
  • A Living Wage for Factory Girls at Crewe, 5 May 1894
  • ADELAIDE A. PROCTER
  • Homeless
  • ELIZABETH GASKELL
  • From Mary Barton
  • ENVIRONMENTAL DEGRADATION
  • ALEXIS DE TOCQUEVILLE
  • From Journeys to England and Ireland: Exterior Appearance of Manchester
  • CHARLES DICKENS
  • From Bleak House: Chapter I. In Chancery
  • JOHN RUSKIN
  • From The Storm-Cloud of the Nineteenth Century
  • THOMAS HARDY
  • From Tess of the d’Urbervilles
  • HENRY MAYHEW (1812–1887)
  • London Labor and the London Poor
  • From Volume 1. The Street-Folk
  • Of the London Street-Folk
  • Of the Coster-Girls
  • The Life of a Coster-Girl
  • From Volume 4. Those That Will Not Work
  • Hindoo Beggars
  • Negro Beggars
  • CHARLES DICKENS (1812–1870)
  • A Christmas Carol
  • Stave One: Marley’s Ghost
  • Stave Two: The First of the Three Spirits
  • Stave Three: The Second of the Three Spirits
  • Stave Four: The Last of the Spirits
  • Stave Five: The End of It
  • ROBERT BROWNING (1812–1889)
  • Porphyria’s Lover
  • Soliloquy of the Spanish Cloister
  • My Last Duchess
  • How They Brought the Good News from Ghent to Aix
  • The Bishop Orders His Tomb at Saint Praxed’s Church
  • Love among the Ruins
  • “Childe Roland to the Dark Tower Came”
  • Fra Lippo Lippi
  • Andrea del Sarto
  • Caliban upon Setebos
  • Text of Caliban upon Setebos
  • Rabbi Ben Ezra
  • EMILY BRONTË (1818–1848)
  • I’m happiest when most away
  • The Night-Wind
  • Remembrance
  • Stars
  • The Prisoner. A Fragment
  • No coward soul is mine
  • JOHN RUSKIN (1819–1900)
  • From Modern Painters
  • [A Definition of Greatness in Art]
  • [“The Slave Ship”]
  • From Of the Pathetic Fallacy
  • From The Stones of Venice [The Savageness of Gothic Architecture]
  • GEORGE ELIOT (1819–1880)
  • The Lifted Veil
  • Chapter I
  • Chapter II
  • VICTORIAN DEBATES ABOUT WOMEN, GENDER, AND SEXUALITY
  • MIDDLE-CLASS WOMEN
  • SARAH STICKNEY ELLIS
  • From The Women of England: Their Social Duties and Domestic Habits
  • COVENTRY PATMORE
  • From The Angel in the House
  • JOHN RUSKIN
  • From Of Queens’ Gardens
  • MARRIAGE LAW
  • WILLIAM BLACKSTONE
  • From Commentaries on the Laws of England
  • CAROLINE NORTON
  • From A Letter to the Queen on Lord Chancellor Cranworth’s Marriage and Divorce Bill
  • POOR WOMEN AND WOMEN’S WORK
  • FRIEDRICH ENGELS
  • From The Condition of the Working Class in England
  • ANONYMOUS
  • The Great Social Evil
  • JOSEPHINE BUTLER
  • From Testimony Before the Royal Commission
  • WALTER BESANT
  • From The Queen’s Reign
  • PATHOLOGIZING SEX: PROSTITUTION, HOMOSEXUALITY, AND THE “NEW WOMAN”
  • WILLIAM ACTON
  • From The Functions and Disorders of the Reproductive System in Childhood, Youth, Adult Age, and Advanced Age
  • From Masturbation in Childhood
  • From Marital Excesses
  • From Want of Sexual Feeling in the Female a Cause of Impotence
  • CRIMINAL LAW AMENDMENT ACT
  • From The Criminal Law Amendment Act
  • LORD ALFRED DOUGLAS
  • From Two Loves
  • GENDER AND THE IMPERIAL PROJECT
  • BRITISH AND FOREIGN SCHOOL SOCIETY
  • Appeal in Behalf of the Native Females of British India
  • HARRIET MARTINEAU
  • From Eastern Life, Present and Past: From The Hareem
  • CHARLES DARWIN
  • From Journal of Researches: Wretched State of the Natives
  • FRIEDRICH ENGELS (1820–1895)
  • From The Condition of the Working Class in England: The Great Towns
  • From Single Branches of Industry. Factory-hands
  • MATTHEW ARNOLD (1822–1888)
  • Isolation. To Marguerite
  • To Marguerite—Continued
  • The Buried Life
  • Lines Written in Kensington Gardens
  • The Scholar Gypsy
  • Text of The Scholar Gypsy
  • Dover Beach
  • Preface to Poems (1853)
  • From Culture and Anarchy
  • From Chapter 1. Sweetness and Light
  • From Chapter 2. Doing As One Likes
  • From Chapter 5. Porro Unum Est Necessarium
  • Literature and Science
  • PRE-RAPHAELITISM
  • CHARLES DICKENS
  • From Old Lamps for New Ones
  • JOHN RUSKIN [“The Awakening Conscience”]
  • [“The Awakening Conscience”]
  • JOHN RUSKIN: From Pre-Raphaelitism
  • From Pre-Raphaelitism
  • WILLIAM MICHAEL ROSSETTI
  • [The Pre-Raphaelite Manifesto]
  • ROBERT BUCHANAN
  • From The Fleshly School of Poetry
  • DANTE GABRIEL ROSSETTI (1828–1882)
  • The Blessed Damozel
  • My Sister’s Sleep
  • Jenny
  • From The House of Life
  • The Sonnet
  • Nuptial Sleep
  • Silent Noon
  • Soul’s Beauty
  • Body’s Beauty
  • CHRISTINA ROSSETTI (1830–1894)
  • Song (She sat and sang alway)
  • Song (When I am dead, my dearest)
  • After Death
  • Dead before Death
  • Cobwebs
  • A Triad
  • In an Artist’s Studio
  • A Birthday
  • An Apple-Gathering
  • Winter: My Secret
  • Up-Hill
  • Goblin Market
  • The Round Tower at Jhansi—June 8, 1857
  • “No, Thank You, John”
  • Promises Like Pie-Crust
  • In Progress
  • A Life’s Parallels
  • WILLIAM MORRIS (1834–1896)
  • The Defence of Guenevere
  • Text of The Defence of Guenevere
  • How I Became a Socialist
  • AUGUSTA WEBSTER (1837–1894)
  • Circe
  • A Castaway
  • Medea in Athens
  • From Mother and Daughter
  • ALGERNON CHARLES SWINBURNE (1837–1909)
  • Hymn to Proserpine
  • Hermaphroditus
  • Ave atque Vale
  • WALTER PATER (1839–1894)
  • From Studies in the History of the Renaissance
  • Preface
  • [“La Gioconda”]
  • Conclusion
  • GERARD MANLEY HOPKINS (1844–1889)
  • God’s Grandeur
  • The Starlight Night
  • As Kingfishers Catch Fire
  • Spring
  • The Windhover
  • Pied Beauty
  • Hurrahing in Harvest
  • Binsey Poplars
  • Duns Scotus’s Oxford
  • Felix Randal
  • Spring and Fall
  • [Carrion Comfort]
  • No worst, there is none
  • I wake and feel the fell of dark, not day
  • That Nature Is a Heraclitean Fire and of the Comfort of the Resurrection
  • Thou art indeed just, Lord
  • MICHAEL FIELD [KATHERINE HARRIS BRADLEY (1846–1914) AND EDITH EMMA COOPER (1862–1913)]
  • Maids, not to you my mind doth change
  • La Gioconda
  • A Pen-Drawing of Leda
  • The Sleeping Venus
  • [A girl]
  • Unbosoming
  • [It was deep April, and the morn]
  • Tiger-Lilies
  • To Christina Rossetti
  • Nests in Elms
  • Eros
  • ROBERT LOUIS STEVENSON (1850–1894)
  • The Strange Case of Dr. Jekyll and Mr. Hyde
  • Story of the Door
  • Search for Mr. Hyde
  • Dr. Jekyll Was Quite at Ease
  • The Carew Murder Case
  • Incident of the Letter
  • Remarkable Incident of Dr. Lanyon
  • Incident at the Window
  • The Last Night
  • Dr. Lanyon’s Narrative
  • Henry Jekyll’s Full Statement of the Case
  • OSCAR WILDE (1854–1900)
  • Impression du Matin
  • The Harlot’s House
  • From The Critic as Artist
  • Preface to The Picture of Dorian Gray
  • The Importance of Being Earnest
  • First Act
  • Second Act
  • Third Act
  • From De Profundis
  • OLIVE SCHREINER (1855–1920)
  • From Stray Thoughts on South Africa
  • The Woman’s Rose
  • From Woman and Labor
  • TORU DUTT (1856–1877)
  • Our Casuarina Tree
  • Lakshman
  • Buttoo
  • France: 1870
  • Sonnet—Baugmaree
  • Sonnet—The Lotus
  • SIR ARTHUR CONAN DOYLE (1859–1930)
  • The Speckled Band
  • AMY LEVY (1861–1889)
  • Xantippe. A Fragment
  • Magdalen
  • To Lallie
  • Ballade of an Omnibus
  • New Love, New Life
  • Cohen of Trinity
  • RABINDRANATH TAGORE (1861–1941)
  • Gitanjali 35
  • The Cabuliwallah
  • E. PAULINE JOHNSON/TEKAHIONWAKE (1861–1913)
  • Brant: A Memorial Ode
  • The Song My Paddle Sings
  • Lullaby of the Iroquois
  • Canadian Born
  • From A Strong Race Opinion: On the Indian Girl in Modern Fiction
  • RUDYARD KIPLING (1865–1936)
  • The Man Who Would Be King
  • Danny Deever
  • The Widow at Windsor
  • Recessional
  • The White Man’s Burden
  • If—
  • MOHANDAS GANDHI (1869–1948)
  • From Hind Swaraj
  • From Chapter IX. The Condition of India
  • From Chapter XVII. Passive Resistance
  • From Chapter XIX. Machinery
  • VOLUME F: The Twentieth and Twenty-First Centuries
  • PERIOD INTRODUCTION: The Twentieth and Twenty-First Centuries
  • Period Introduction: Historical Background
  • Period Introduction: Poetry
  • Period Introduction: Fiction
  • Period Introduction: Drama
  • Period Introduction: Timeline of the Twentieth and Twenty-First Centuries
  • THOMAS HARDY (1840–1928)
  • On the Western Circuit
  • I
  • II
  • III
  • IV
  • V
  • VI
  • Hap
  • Neutral Tones
  • Drummer Hodge
  • The Darkling Thrush
  • The Ruined Maid
  • Channel Firing
  • The Convergence of the Twain
  • Ah, Are You Digging on My Grave?
  • Under the Waterfall
  • The Walk
  • The Voice
  • During Wind and Rain
  • In Time of ‘The Breaking of Nations’
  • He Never Expected Much
  • JOSEPH CONRAD (1857–1924)
  • Preface to The Nigger of the “Narcissus” [The Task of the Artist]
  • Heart of Darkness
  • 1
  • 2
  • 3
  • ON THE REPRESENTATION OF AFRICA
  • CARYL PHILLIPS: From Out of Africa
  • CHIMAMANDA NGOZI ADICHIE: The Danger of a Single Story
  • A. E. HOUSMAN (1859–1936)
  • Loveliest of Trees
  • When I Was One-and-Twenty
  • To an Athlete Dying Young
  • Terence, This Is Stupid Stuff
  • Epitaph on an Army of Mercenaries
  • VOICES FROM WORLD WAR I
  • RUPERT BROOKE
  • The Soldier
  • ROBERT SERVICE
  • Only a Boche
  • EDWARD THOMAS
  • Adlestrop
  • The Owl
  • Rain
  • The Cherry Trees
  • As the Team’s Head Brass
  • MARY BORDEN
  • Belgium
  • The Song of the Mud
  • SIEGFRIED SASSOON
  • ‘They’
  • The Rear-Guard
  • The General
  • Glory of Women
  • Everyone Sang
  • On Passing the New Menin Gate
  • From Memoirs of an Infantry Officer [The Opening of the Battle of the Somme]
  • IVOR GURNEY
  • To His Love
  • The Silent One
  • ISAAC ROSENBERG
  • Break of Day in the Trenches
  • Louse Hunting
  • Returning, We Hear the Larks
  • Dead Man’s Dump
  • WILFRED OWEN
  • Anthem for Doomed Youth
  • Apologia Pro Poemate Meo
  • Miners
  • Dulce Et Decorum Est
  • Strange Meeting
  • Futility
  • Disabled
  • From Owen’s Letters to His Mother
  • Preface
  • MAY WEDDERBURN CANNAN
  • Rouen
  • ROBERT GRAVES
  • From Goodbye to All That [The Attack on High Wood]
  • Recalling War
  • DAVID JONES
  • From In Parenthesis
  • From Preface
  • From Part 7: The Five Unmistakable Marks
  • MODERNIST MANIFESTOS
  • T. E. HULME
  • From Romanticism and Classicism
  • F. S. FLINT AND EZRA POUND
  • Imagisme
  • A Few Don’ts by an Imagiste
  • AN IMAGIST CLUSTER: T. E. HULME, EZRA POUND, H.D.
  • T. E. HULME: Autumn
  • EZRA POUND: In a Station of the Metro
  • H.D.: Oread
  • H.D.: Sea Rose
  • BLAST
  • Long Live the Vortex!
  • Blast 6
  • MINA LOY
  • Feminist Manifesto
  • From Songs to Joannes
  • I
  • III
  • XIV
  • XXVI
  • WILLIAM BUTLER YEATS (1865–1939)
  • The Stolen Child
  • Down by the Salley Gardens
  • The Rose of the World
  • The Lake Isle of Innisfree
  • The Sorrow of Love
  • When You Are Old
  • Who Goes with Fergus?
  • The Man Who Dreamed of Faeryland
  • Adam’s Curse
  • No Second Troy
  • The Fascination of What’s Difficult
  • A Coat
  • September 1913
  • Easter, 1916
  • The Wild Swans at Coole
  • An Irish Airman Foresees His Death
  • The Second Coming
  • A Prayer for My Daughter
  • Leda and the Swan
  • Sailing to Byzantium
  • Among School Children
  • A Dialogue of Self and Soul
  • Byzantium
  • Crazy Jane Talks with the Bishop
  • Lapis Lazuli
  • Under Ben Bulben
  • Man and the Echo
  • The Circus Animals’ Desertion
  • From Introduction [A General Introduction for My Work]
  • I. The First Principle
  • II. Subject-Matter
  • III. Style and Attitude
  • IV. Whither?
  • E. M. FORSTER (1879–1970)
  • The Machine Stops
  • Part 1. The Air-Ship
  • Part II. The Mending Apparatus
  • Part III. The Homeless
  • VIRGINIA WOOLF (1882–1941)
  • The Mark on the Wall
  • Modern Fiction
  • Mrs. Dalloway
  • Text of Mrs. Dalloway
  • From A Room of One’s Own [Shakespeare’s Sister]
  • Professions for Women
  • JAMES JOYCE (1882–1941)
  • Araby
  • Clay
  • The Dead
  • Ulysses
  • From Ulysses: From [Penelope]
  • D. H. LAWRENCE (1885–1930)
  • Odour of Chrysanthemums
  • The Horse Dealer’s Daughter
  • Why the Novel Matters
  • Love on the Farm
  • Piano
  • Snake
  • How Beastly the Bourgeois Is
  • T. S. ELIOT (1888–1965)
  • The Love Song of J. Alfred Prufrock
  • Sweeney among the Nightingales
  • The Waste Land
  • I. The Burial of the Dead
  • II. A Game of Chess
  • III. The Fire Sermon
  • IV. Death by Water
  • The Hollow Men
  • Journey of the Magi
  • From Four Quartets: Little Gidding
  • Tradition and the Individual Talent
  • I
  • II
  • III
  • The Metaphysical Poets
  • KATHERINE MANSFIELD (1888–1923)
  • The Daughters of the Late Colonel
  • The Garden Party
  • JEAN RHYS (1890–1979)
  • The Day They Burned the Books
  • On Not Shooting Sitting Birds
  • CLAUDE MCKAY (1889–1948)
  • A Midnight Woman to the Bobby
  • Old England
  • If We Must Die
  • Outcast
  • From Banjo: A Story without a Plot: Jelly Roll
  • STEVIE SMITH (1902–1971)
  • Sunt Leones
  • Our Bog Is Dood
  • Not Waving but Drowning
  • Thoughts About the Person from Porlock
  • Pretty
  • GEORGE ORWELL (1903–1950)
  • Shooting an Elephant
  • Politics and the English Language
  • MULK RAJ ANAND (1905–2004)
  • The Liar
  • SAMUEL BECKETT (1906–1989)
  • Waiting for Godot
  • Act 1
  • Act 2
  • W. H. AUDEN (1907–1973)
  • Petition
  • On This Island
  • Lullaby
  • Spain
  • As I Walked Out One Evening
  • Musée des Beaux Arts
  • In Memory of W. B. Yeats
  • The Unknown Citizen
  • September 1, 1939
  • In Praise of Limestone
  • The Shield of Achilles
  • DYLAN THOMAS (1914–1953)
  • The Force That Through the Green Fuse Drives the Flower
  • The Hunchback in the Park
  • Poem in October
  • Fern Hill
  • Do Not Go Gentle into That Good Night
  • VOICES FROM WORLD WAR II
  • VIRGINIA WOOLF
  • From Three Guineas [As a Woman I Have No Country]
  • PABLO PICASSO
  • Guernica
  • EDITH SITWELL
  • Still Falls the Rain
  • HENRY REED
  • From Lessons of the War: 1. Naming of Parts
  • ELIZABETH BOWEN
  • The Demon Lover
  • NATION, RACE, AND LANGUAGE
  • UNA MARSON
  • Nigger
  • The Stranger
  • LOUISE BENNETT
  • Jamaica Language
  • Dry-Foot Bwoy
  • Colonization in Reverse
  • Jamaica Oman
  • KAMAU BRATHWAITE
  • [Nation Language]
  • NGŨGĨ WA THIONG’O
  • From Decolonising the Mind: From The Language of African Literature
  • III
  • IV
  • V
  • IX
  • SAMUEL SELVON
  • Waiting for Aunty to Cough
  • M. NOURBESE PHILIP
  • Discourse on the Logic of Language
  • SALMAN RUSHDIE
  • [The British Indian Writer and a Dream-England]
  • [English Is an Indian Literary Language]
  • GRACE NICHOLS
  • Epilogue
  • The Fat Black Woman Goes Shopping
  • Wherever I Hang
  • LINTON KWESI JOHNSON
  • Inglan Is a Bitch
  • BERNARDINE EVARISTO
  • From The Emperor’s Babe: Amo Amas Amat
  • DALJIT NAGRA
  • A Black History of the English-Speaking Peoples
  • DORIS LESSING (1919–2013)
  • To Room Nineteen
  • PHILIP LARKIN (1922–1985)
  • Church Going
  • MCMXIV
  • Talking in Bed
  • High Windows
  • Going, Going
  • Sad Steps
  • Homage to a Government
  • The Explosion
  • This Be The Verse
  • Aubade
  • A. K. RAMANUJAN (1929–1993)
  • Self-Portrait
  • Elements of Composition
  • THOM GUNN (1929–2004)
  • Black Jackets
  • My Sad Captains
  • From the Wave
  • Still Life
  • The Missing
  • DEREK WALCOTT (1930–2017)
  • A Far Cry from Africa
  • From The Schooner Flight: 1 Adios, Carenage
  • The Season of Phantasmal Peace
  • From Omeros
  • 1.3.3 [“‘Mais qui ça qui rivait-’ous, Philoctete?’”]
  • 6.49.1–2 [“She bathed him in the brew of the root. The basin”]
  • TED HUGHES (1930–1998)
  • Wind
  • Pike
  • Out
  • Theology
  • Crow’s Last Stand
  • Crow Tyrannosaurus
  • ALICE MUNRO (1931-2024)
  • Walker Brothers Cowboy
  • GEOFFREY HILL (1932–2016)
  • In Memory of Jane Fraser
  • Requiem for the Plantagenet Kings
  • September Song
  • Broken Hierarchies
  • V. S. NAIPAUL (1932–2018)
  • One Out of Many
  • WOLE SOYINKA (b. 1934)
  • Death and the King’s Horseman
  • Act 1
  • Act 2
  • Act 3
  • Act 4
  • Act 5
  • CARYL CHURCHILL (b. 1938)
  • Top Girls
  • Act One
  • Scene 1
  • Scene 2
  • Scene 3
  • Act Two
  • Scene 1
  • Scene 2
  • LES MURRAY (1938–2019)
  • Morse
  • Corniche
  • The Kitchen Grammars
  • SEAMUS HEANEY (1939–2013)
  • Digging
  • The Grauballe Man
  • Punishment
  • Casualty
  • From Station Island: 12 [Like a convalescent, I took the hand]
  • Clearances
  • Anything Can Happen
  • ENVIRONMENTAL LITERATURE AND CLIMATE CHANGE
  • J. G. BALLARD
  • From The Drowned World: The Causeways of the Sun
  • BESSIE HEAD
  • Looking for a Rain God
  • BEN OKRI
  • What the Tapster Saw
  • ARUNDHATI ROY
  • From The God of Small Things: God’s Own Country
  • AMITAV GHOSH
  • From The Great Derangement
  • ROBERT MACFARLANE
  • From Underland: The Understorey (Epping Forest, London)
  • POETRY OF CLIMATE CHANGE
  • SEAMUS HEANEY
  • Höfn
  • PATIENCE AGBABI
  • ECO2nomics
  • PETER READING
  • Clockwise (from the bottom),
  • VAHNI CAPILDEO
  • From The Book of Dreams / Livre de Cauchemars
  • CRAIG SANTOS PEREZ
  • Thirteen Ways of Looking at a Glacier
  • PASCALE PETIT
  • Rainforest in the Sleep Room
  • SIMON ARMITAGE
  • Ark
  • MARGARET ATWOOD (b. 1939)
  • Death by Landscape
  • Miss July Grows Older
  • J. M. COETZEE (b. 1940)
  • From Waiting for the Barbarians
  • EAVAN BOLAND (1944–2020)
  • Fond Memory
  • The Dolls Museum in Dublin
  • The Lost Land
  • SALMAN RUSHDIE (b. 1947)
  • The Prophet’s Hair
  • ANNE CARSON (b. 1950)
  • From The Glass Essay
  • PAUL MULDOON (b. 1951)
  • Anseo
  • Meeting the British
  • From 7, Middagh Street (And were Yeats living at this hour)
  • Milkweed and Monarch
  • The Loaf
  • Turtles
  • HILARY MANTEL (1952–2022)
  • Sorry to Disturb
  • BORN-DIGITAL LITERATURE
  • KAMAU BRATHWAITE
  • [On Sycorax Video Style]
  • Letter Sycorax
  • CAROLINE BERGVALL
  • The Franker Tale (Deus Hic, 2)
  • BPNICHOL
  • First Screening
  • YOUNG-HAE CHANG HEAVY INDUSTRIES
  • BUST DOWN THE DOOR!
  • TRAVELING TO UTOPIA
  • ALI SMITH
  • From How to Be Both
  • DAVID MITCHELL
  • From The Right Sort
  • TEJU COLE
  • Seven Short Stories about Drones
  • From Hafiz
  • KAZUO ISHIGURO (b. 1954)
  • A Village after Dark
  • HANIF KUREISHI (b. 1954)
  • My Son the Fanatic
  • CAROL ANN DUFFY (b. 1955)
  • Warming Her Pearls
  • Valentine
  • Medusa
  • Mrs Lazarus
  • The Christmas Truce
  • CARYL PHILLIPS (b. 1958)
  • Growing Pains
  • SIMON ARMITAGE (b. 1963)
  • The Tyre
  • Horses, M62
  • The English Astronaut
  • Beck
  • PATIENCE AGBABI (b. 1965)
  • Prologue (Word)
  • Prologue (Grime Mix)
  • The Kiss
  • What Do Women Like Bes’? (The Wife of Bath’s Tale)
  • The Doll’s House
  • RACHEL CUSK (b. 1967)
  • Freedom
  • KIRAN DESAI (b. 1971)
  • The Sermon in the Guava Tree
  • ZADIE SMITH (b. 1975)
  • The Embassy of Cambodia
  • CHIMAMANDA NGOZI ADICHIE (b. 1977)
  • Checking Out
  • Appendices
  • Volume D: The Romantic Period
  • General Bibliography
  • Literary Terminology
  • Geographic Nomenclature
  • British Money
  • The British Baronage
  • The Royal Lines of England and Great Britain
  • Religions in Great Britain
  • Volume E: The Victorian Age
  • General Bibliography
  • Literary Terminology
  • Geographic Nomenclature
  • British Money
  • The British Baronage Religions in Great Britain
  • The Royal Lines of England and Great Britain
  • Religions in Great Britain
  • Volume F: The Twentieth and Twenty-First Centuries
  • General Bibliography
  • Literary Terminology
  • Geographic Nomenclature
  • MAP: London in the Nineteenth and Twentieth Centuries
  • British Money
  • The British Baronage
  • The Royal Lines of England and Great Britain
  • Religions in Great Britain
  • Permissions Acknowledgments
  • Volume D: The Romantic Period (1785–1832)
  • Volume E: The Victorian Age (1830–1901)
  • Volume F: The Twentieth and Twenty-First Centuries
  • Index
  • Volume D: The Romantic Period (1785–1832)
  • Volume E: The Victorian Age (1830–1901)
  • Volume F: The Twentieth and Twenty-First Centuries
  • Image Galleries
  • Volume D: The Romantic Period (1785–1832)
  • Volume E: The Victorian Age (1830–1901)
  • Volume F: The Twentieth and Twenty-First Centuries