The Norton Anthology of English Literature (Package 1: Volumes A, B, C)
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Umfangsmikil endurskoðun sem endurspeglar hvernig enskar bókmenntir eru kenndar í dag. The Norton Anthology of English Literature, Eleventh Edition spannar tímabilið frá miðöldum til tuttugustu og fyrstu aldar og kynnir spennandi nýja höfunda, verk og textaheildir sem sýna mikilvægi bókmennta fyrir nemendur samtímans. Jafnframt er rakin sú skapandi þróun sem hefur mótað hið síbreytilega og síheillandi safn verka sem við köllum enskar bókmenntir.
A sweeping revision that speaks to how English literature is taught today. From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature.
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- W. W. Norton
- 9781324062752
- 9781324072805
- ePub
- 11
- Stephen Greenblatt
- English
- 2024-07-15
- 100
- 2
- 2
Kaflar
- Cover
- Publisher’s Notice
- Periods and Editors
- Half-title Page
- Editor Affiliations
- Title Page
- Copyright
- Contents
- Preface to the Eleventh Edition
- Acknowledgments
- VOLUME A: The Middle Ages
- PERIOD INTRODUCTION: The Middle Ages to ca. 1485
- Period Introduction: Opener
- Period Introduction: Literature of the Early Middle Ages
- Period Introduction: Literature of the Twelfth and Thirteenth Centuries
- Period Introduction: Literature of the Fourteenth and Fifteenth Centuries
- Period Introduction: Medieval Englishes
- Period Introduction: The Meters of Old and Middle English Poetry
- Period Introduction: The Canon of Old and Middle English Poetry
- Period Introduction: Timeline of the Middle Ages
- LITERATURE OF THE EARLY MIDDLE AGES (eighth to eleventh centuries)
- BEDE (ca. 673–735) AND CÆDMON’S HYMN
- From An Ecclesiastical History of the English People [The Story of Cædmon]
- THE DREAM OF THE ROOD
- Text of The Dream of the Rood
- BEOWULF
- [Prologue: The Rise of the Danish Nation]
- [Heorot Is Attacked]
- [The Hero Comes to Heorot]
- [Feast at Heorot]
- [The Fight with Grendel]
- [Celebration at Heorot]
- [Another Attack]
- [Beowulf Fights Grendel’s Mother]
- [Another Celebration at Heorot]
- [Beowulf Returns Home]
- [The Dragon Wakes]
- [Beowulf Attacks the Dragon]
- [Beowulf’s Funeral]
- JUDITH
- Text of Judith
- ALFRED (849–899)
- Preface to the Pastoral Care
- THE WANDERER
- Text of The Wanderer
- WULF AND EADWACER
- Text of Wulf and Eadwacer
- THE WIFE’S LAMENT
- Text of The Wife’s Lament
- THE RUIN
- Text of The Ruin
- RIDDLES
- The Riddles
- WULFSTAN OF YORK (d. 1023)
- Wolf’s Sermon to the English
- EARLY IRISH LYRICS
- The Scholar and His Cat
- The Scribe in the Woods
- The Lord of Creation
- My Hand Is Weary with Writing
- LITERATURE OF THE TWELFTH AND THIRTEENTH CENTURIES
- THE MYTH OF ARTHUR’S RETURN
- GEOFFREY OF MONMOUTH: From The History of the Kings of Britain
- WACE: From Roman de Brut
- LAYAMON: From Brut
- ROMANCE
- THE LADY OF THE FOUNTAIN
- Text of The Lady of the Fountain
- MARIE DE FRANCE (fl. ca. 1180)
- Milun
- Lanval
- Laüstic
- Chevrefoil
- TRISTAN AND YSOLT
- THOMAS OF ENGLAND (fl. ca. 1155)
- From Le Roman de Tristan [The Deaths of Tristan and Ysolt]
- THE MADNESS OF TRISTAN
- Text From The Madness of Tristan
- ANCRENE WISSE (GUIDE FOR ANCHORESSES) (early thirteenth century)
- From Ancrene Wisse (Guide for Anchoresses) [The Sweetness and Pains of Enclosure]
- CLEMENCE OF BARKING (fl. ca. 1180)
- From The Life of Saint Catherine [Catherine Debates with the Emperor and His Philosophers]
- GOD’S BODY
- MIDDLE ENGLISH INCARNATION AND CRUCIFIXION LYRICS
- What is he, this lordling, that cometh from the fight
- Ye That Pasen by the Weye
- Sunset on Calvary
- I Sing of a Maiden
- Adam Lay Bound
- The Corpus Christi Carol
- JULIAN OF NORWICH (ca. 1342–ca. 1416)
- From A Book of Showings to the Anchoress Julian of Norwich
- Chapter 3 [Julian’s Bodily Sickness and the Wounds of Christ]
- Chapter 4 [Christ’s Passion and Incarnation]
- Chapter 5 [All Creation as a Hazelnut]
- Chapter 7 [Christ as Homely and Courteous]
- Chapter 27 [Sin Is Fitting]
- Chapters 58, 59, 60, 61 [Jesus as Mother]
- Chapter 86 [Christ’s Meaning]
- MARGERY KEMPE (ca. 1373–ca. 1438)
- From The Book of Margery Kempe
- Book 1.1 [The Birth of Her First Child and Her First Vision]
- Book 1.11 [Margery and Her Husband Reach a Settlement]
- Book 1.20 [Margery Sees the Host Flutter at Mass]
- Book 1.28 [Pilgrimage to Jerusalem]
- Book 1.35–36 [Margery’s Marriage to and Intimacy with Christ]
- Book 1.60 [Margery’s Reaction to a Pietà]
- Book 1.76 [Margery Nurses Her Husband in His Old Age]
- Book 1.79 [Margery’s Vision of the Passion Sequence]
- MYSTERY PLAYS
- The York Play of the Crucifixion
- Text of The York Play of the Crucifixion
- The Wakefield Second Shepherds’ Play
- Text of The Second Shepherds’ Play
- RELIGIOUS EXCLUSIONS AND IDENTITIES
- MAPPA MUNDI (ca. after 1262)
- MEIR OF NORWICH (MEIR BEN ELIJAH) (fl. late thirteenth century)
- Put a Curse on My Enemy
- THE KING OF TARS (early fourteenth century)
- Text of The King of Tars
- THE BOOK OF JOHN MANDEVILLE (ca. 1356)
- Text From The Book of John Mandeville
- THE CROXTON PLAY OF THE SACRAMENT (after 1461)
- Text of The Croxton Play of the Sacrament
- LITERATURE OF THE FOURTEENTH AND FIFTEENTH CENTURIES
- SIR ORFEO (ca. 1300)
- Text of Sir Orfeo
- WILLIAM LANGLAND (ca. 1330–1388)
- From The Vision of Piers Plowman
- From The Prologue [The Field of Folk]
- From Passus 1 [The Treasure of Truth]
- From Passus 5 [Piers Plowman Shows the Way to Saint Truth]
- Passus 6 [The Plowing of Piers’s Half-Acre]
- From Passus 7 [Piers Tears Truth’s Pardon]
- From Passus 18 [The Crucifixion and Harrowing of Hell]
- From The C-Text [The Dreamer Meets Conscience and Reason]
- SIR GAWAIN AND THE GREEN KNIGHT (ca. 1375–1400)
- FITT i
- FITT ii
- FITT iii
- FITT iv
- GEOFFREY CHAUCER (ca. 1340–1400)
- The Canterbury Tales
- The General Prologue
- Text of The General Prologue
- Summary: The Knight’s Tale
- The Miller’s Prologue and Tale
- The Miller’s Prologue
- The Miller’s Tale
- The Man of Law’s Epilogue
- Text of The Man of Law’s Epilogue
- The Wife of Bath’s Prologue and Tale
- The Wife of Bath’s Prologue
- The Wife of Bath’s Tale
- The Pardoner’s Prologue and Tale
- The Introduction
- The Prologue
- The Pardoner’s Tale
- The Nun’s Priest’s Tale
- Text of The Nun’s Priest’s Tale
- Close of The Canterbury Tales
- From The Parson’s Prologue and Tale: The Prologue
- Chaucer’s Retraction
- Lyrics and Occasional Verse
- Troilus’s Song
- Balade de bon conseyl
- Chaucer’s Words to Adam Scriveyn
- The Complaint of Chaucer to His Purse
- JOHN GOWER (ca. 1330–1408)
- From The Lover’s Confession: The Tale of Philomene and Tereus
- THOMAS HOCCLEVE (ca. 1367–1426)
- My Complaint
- MIDDLE ENGLISH LYRICS
- The Cuckoo Song
- Foweles in the Frith
- Alison
- My Lief Is Faren in Londe
- Western Wind
- I Am of Ireland
- SIR THOMAS MALORY (ca. 1415–1471)
- From Morte Darthur
- [The Conspiracy against Lancelot and Guinevere]
- [War Breaks Out between Arthur and Lancelot]
- [The Death of Arthur]
- [The Deaths of Lancelot and Guinevere]
- EVERYMAN (after 1485)
- Text of Everyman
- WHAT THE ANIMALS SAY
- MARIE DE FRANCE
- Bisclavret
- THE OWL AND THE NIGHTINGALE
- From The Owl and the Nightingale
- GEOFFREY CHAUCER
- The Parliament of Birds
- ROBERT HENRYSON
- The Cock and the Jasper
- VOLUME B: The Sixteenth Century and the Early Seventeenth Century
- THE SIXTEENTH CENTURY (1485–1603)
- PERIOD INTRODUCTION: The Sixteenth Century (1485–1603)
- Period Introduction: Opener
- Period Introduction: The Court and the City
- Period Introduction: Renaissance Humanism
- Period Introduction: The Reformation
- Period Introduction: Queen Elizabeth I
- Period Introduction: The Kingdom in Danger
- Period Introduction: England and the World
- Period Introduction: Writers, Printers, and Patrons
- Period Introduction: Tudor Style: Ornament, Plainness, and Wonder
- Period Introduction: The Elizabethan Theater
- Period Introduction: Surprised by Time
- Period Introduction: Timeline of the Sixteenth Century
- JOHN SKELTON (ca. 1460-1529)
- Mannerly Margery Milk and Ale
- With Lullay, Lullay, Like a Child
- From The Tunning of Elinour Rumming
- SIR THOMAS MORE (1478–1535)
- Utopia
- Book I
- Book II
- Thomas More to His Friend Peter Giles, Warmest Greetings
- SIR THOMAS WYATT THE ELDER (1503–1542)
- The Long Love That in My Thought Doth Harbor
- Petrarch, Rima 140
- Whoso List to Hunt
- Petrarch, Rima 190
- I Find No Peace
- Petrarch, Rima 134
- My Galley
- Petrarch, Rima 189
- What Vaileth Truth?
- Madam, Withouten Many Words
- They Flee from Me
- The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed
- My Lute, Awake!
- Forget Not Yet
- Stand Whoso List
- Who List His Wealth and Ease Retain
- Mine Own John Poins
- HENRY HOWARD, EARL OF SURREY (1517–1547)
- The Soote Season
- Petrarch, Rima 310
- Love, That Doth Reign and Live Within My Thought
- Alas! So All Things Now Do Hold Their Peace
- Petrarch, Rima 164
- So Cruel Prison How Could Betide
- Wyatt Resteth Here, That Quick Could Never Rest
- O Happy Dames, That May Embrace
- FAITH IN CONFLICT
- THE ENGLISH BIBLE
- 1 Corinthians 13
- From Tyndale’s Translation
- From The Geneva Bible
- From The Douay-Rheims Version
- From The Authorized (King James) Version
- WILLIAM TYNDALE
- From The Obedience of a Christian Man
- [The Forgiveness of Sins]
- [Scriptural Interpretation]
- THOMAS MORE
- From A Dialogue Concerning Heresies: From Book 1, Chapter 28
- JOHN CALVIN
- From The Institution of Christian Religion: From Book 3, Chapter 21
- ANNE ASKEW
- From The First Examination of Anne Askew
- JOHN FOXE
- From Acts and Monuments [The Death of Anne Askew]
- ANNE COOKE BACON
- From John Jewel’s Apology
- BOOK OF COMMON PRAYER
- From The Form of Solemnization of Matrimony
- BOOK OF HOMILIES
- From An Homily Against Disobedience and Willful Rebellion
- ANNE VAUGHAN LOCKE
- From A Meditation of a Penitent Sinner: 4 (“Have mercy, Lord, have mercy”)
- RICHARD HOOKER
- From Of the Laws of Ecclesiastical Polity: From Book 1, Chapter 3
- ROBERT SOUTHWELL
- The Burning Babe
- ROGER ASCHAM (1515–1568)
- From The Schoolmaster: From The First Book for the Youth
- [Teaching Latin]
- [The Italianate Englishman]
- SIR THOMAS HOBY (1530–1566)
- From Castiglione’s The Courtier
- From Book 1, Sections 25–26 [Grace]
- From Book 4, Sections 49–73 [The Ladder of Love]
- ISABELLA WHITNEY (fl. 1566–1573)
- Will and Testament
- WOMEN AND POWER
- MARY I (MARY TUDOR)
- Letter to Henry VIII
- From An Ambassadorial Dispatch to the Holy Roman Emperor, Charles V: The Coronation of Mary I
- The Oration of Queen Mary in the Guildhall, on the First of February, 1554
- LADY JANE GREY
- From Roger Ascham’s Schoolmaster [A Talk with Lady Jane]
- From A Letter of the Lady Jane to M. H., Late Chaplain to the Duke of Suffolk, Her Father
- A Letter of the Lady Jane, Sent unto her Father
- A Prayer of the Lady Jane
- A Second Letter to Her Father
- From Foxe’s Acts and Monuments: The Words and Behavior of the Lady Jane upon the Scaffold
- MARY, QUEEN OF SCOTS
- From Casket Letter Number 2
- A Letter to Elizabeth I, May 17, 1568
- From Narrative of the Execution of the Queen of Scots
- ELIZABETH I
- Verses Written with a Diamond
- From The Passage of Our Most Dread Sovereign Lady Queen Elizabeth through the City of London to Westminster on the Day before Her Coronation
- Speech to the House of Commons, January 28, 1563
- From A Speech to a Joint Delegation of Lords and Commons, November 5, 1566
- From A Letter to Mary, Queen of Scots, February 24, 1567
- The Doubt of Future Foes
- On Monsieur’s Departure
- A Letter to Robert Dudley, Earl of Leicester, February 10, 1586
- A Letter to Sir Amyas Paulet, August 1586
- A Letter to King James VI of Scotland, February 14, 1587
- Verse Exchange between Elizabeth and Sir Walter Ralegh
- Speech to the Troops at Tilbury
- The “Golden Speech”
- Text of the “Golden Speech”
- ANNE COOKE BACON
- To the Right Worshipful and Worthily Beloved Mother
- MARGARET TYLER
- To the Reader
- ANNE DOWRICHE
- To the Right Worshipful Her Loving Brother
- JANE ANGER
- To All Women in General, and Gentle Reader[s] Whatsoever
- Eiusdem ad Lectorem, de Authore
- EDMUND SPENSER (1552?–1599)
- From The Shepheardes Calender
- To His Booke
- October
- From The Faerie Queene
- A Letter of the Authors
- The First Booke of The Faerie Queene
- Canto 1
- Canto 2
- Canto 3
- Canto 4
- Canto 5
- Canto 6
- Canto 7
- Canto 8
- Canto 9
- Canto 10
- Canto 11
- Canto 12
- Mutabilitie Cantos
- Two Cantos of Mutabilitie
- From Amoretti
- 1 (“Happy ye leaves when as those lilly hands”)
- 34 (“Lyke as a ship that through the Ocean wyde”)
- 37 (“What guyle is this, that those her golden tresses”)
- 54 (“Of this worlds Theatre in which we stay”)
- 64 (“Coming to kisse her lyps [such grace I found]”)
- 67 (“Lyke as a huntsman after weary chace”)
- 75 (“One day I wrote her name upon the strand”)
- 79 (“Men call you fayre, and you doe credit it”)
- Epithalamion
- COMMONPLACE BOOK
- Aging
- George Gascoigne
- The Lullaby of a Lover
- Michael Drayton
- There’s Nothing Grieves Me, But That Age Should Haste
- Samuel Daniel
- When Men Shall Find Thy Flower, Thy Glory, Pass
- Anonymous
- The Queen’s Champion Retires
- Bawdy
- Anonymous: Will Ye Buy a Fine Dog?
- Will Ye Buy a Fine Dog?
- Anonymous: On a Maidenhead
- On a Maidenhead
- Carpe Diem
- Thomas Lodge
- Pluck the Fruit and Taste the Pleasure
- Death
- Fulke Greville
- You That Seek What Life Is in Death
- Emma Foxe
- To You That Life Possess
- Sir Walter Ralegh
- From The History of the World [Conclusion: On Death]
- Drink
- William Stevenson/John Still
- Jolly Good Ale and Old
- Thomas Dekker
- Troll the Bowl, the Jolly Nut-Brown Bowl
- Execution
- Chidiock Tichborne
- Tichborne’s Elegy
- Sir Walter Ralegh: Sir Walter Ralegh to His Son
- Sir Walter Ralegh to His Son
- Sir Walter Ralegh: The Author’s Epitaph, Made by Himself
- The Author’s Epitaph, Made by Himself
- Foreigners
- Anonymous
- The Dutch Libel
- William Shakespeare
- From Sir Thomas More
- Imagination
- Fulke Greville
- In Night When Colors All to Black Are Cast
- Michael Drayton
- How Many Paltry, Foolish, Painted Things
- Lying
- Sir Walter Ralegh
- The Lie
- Love: Happy
- John Davies of Hereford
- If There Were (Oh!) an Hellespont of Cream
- Thomas Campion: My Sweetest Lesbia
- My Sweetest Lesbia
- Thomas Campion: I Care Not for These Ladies
- I Care Not for These Ladies
- Thomas Campion: Now Winter Nights Enlarge
- Now Winter Nights Enlarge
- Richard Barnfield
- From Cynthia, Sonnets 9 and 11
- Love: Unhappy
- Michael Drayton: Nothing but “No” and “I” and “I” and “No”?
- Nothing but “No” and “I” and “I” and “No”?
- George Gascoigne
- And If I Did, What Then?
- Michael Drayton: As in Some Countries Far Remote from Hence
- As in Some Countries Far Remote from Hence
- Sir Walter Ralegh
- Farewell, False Love
- Pastoral Love
- Christopher Marlowe
- The Passionate Shepherd to His Love
- Sir Walter Ralegh
- The Nymph’s Reply to the Shepherd
- Plague
- Thomas Nashe
- A Litany in Time of Plague
- John Davies of Hereford
- From The Triumph of Death
- Simple Life
- Thomas Campion
- Jack and Joan, They Think No Ill
- Time
- Robert Greene
- Doralicia’s Ditty
- John Dowland
- It Was a Time When Silly Bees Could Speak
- Sir Walter Ralegh
- Nature, That Washed Her Hands in Milk
- William Shakespeare
- From The Rape of Lucrece
- Tobacco
- Robert Wisdome
- A Religious Use of Taking Tobacco
- Tobias Hume
- Tobacco
- Trade
- Robert Wilson: New Brooms
- New Brooms
- Robert Wilson: Hunting for Hire
- Hunting for Hire
- Anonymous
- Cries of London
- Soldiers’ Song
- Mariners’ Song
- Women
- Sir John Harington, Lady Mary Cheke
- Sir John Harington: A Certain Man
- Lady Mary Cheke: The Reply
- Lady Anne Southwell
- All Married Men Desire to Have Good Wives
- JOHN LYLY (1554–1606)
- From Euphues: The Anatomy of Wit [Euphues Introduced]
- SIR PHILIP SIDNEY (1554–1586)
- From The Countess of Pembroke’s Arcadia
- From The First Book
- From Book Two
- The Defense of Poesy
- From The Defense of Poesy
- From Astrophil and Stella
- 1 (“Loving in truth, and fain in verse my love to show”)
- 2 (“Not at first sight, nor with a dribbèd shot”)
- 15 (“You that do search for every purling spring”)
- 18 (“With what sharp checks I in myself am shent”)
- 20 (“Fly, fly, my friends, I have my death-wound, fly”)
- 27 (“Because I oft, in dark abstracted guise”)
- 28 (“You that with allegory’s curious frame”)
- 31 (“With how sad steps, O Moon, thou climb’st the skies”)
- 34 (“Come, let me write. ‘And to what end?’”)
- 41 (“Having this day my horse, my hand, my lance”)
- 45 (“Stella oft sees the very face of woe”)
- 47 (“What, have I thus betrayed my liberty?”)
- 49 (“I on my horse, and Love on me doth try”)
- 54 (“Because I breathe not love to every one”)
- 56 (“Fie, school of Patience, fie, your lesson is”)
- 69 (“O joy, too high for my low style to show”)
- 71 (“Who will in fairest book of Nature know”)
- 72 (“Desire, though thou my old companion art”)
- 74 (“I never drank of Aganippe well”)
- 81 (“O kiss, which dost those ruddy gems impart”)
- Fourth Song (“Only joy, now here you are”)
- 87 (“When I was forced from Stella ever dear”)
- 89 (“Now that of absence the most irksome night”)
- 91 (“Stella, while now by Honor’s cruel might”)
- 106 (“O absent presence, Stella is not here”)
- 108 (“When Sorrow [using mine own fire’s might]”)
- MARY (SIDNEY) HERBERT, COUNTESS OF PEMBROKE (1562–1621)
- To the Thrice-Sacred Queen Elizabeth
- Text of To the Thrice-Sacred Queen Elizabeth
- Psalm 52
- Psalm 119: O
- Psalm 139
- Robert Garnier’s Marc Antoine (Mary Sidney’s Tragedie of Antonie)
- From Robert Garnier’s Marc Antoine
- CHRISTOPHER MARLOWE (1564–1593)
- Hero and Leander
- Text of Hero and Leander
- Doctor Faustus
- The Tragical History of Doctor Faustus
- Prologue
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Scene 10
- Scene 11
- Scene 12
- Scene 13
- Epilogue
- The Two Texts of Doctor Faustus
- Doctor Faustus, A Text
- Doctor Faustus, B Text
- WILLIAM SHAKESPEARE (1564–1616)
- Sonnets
- 1 (“From fairest creatures we desire increase”)
- 3 (“Look in thy glass and tell the face thou viewest”)
- 12 (“When I do count the clock that tells the time”)
- 15 (“When I consider every thing that grows”)
- 18 (“Shall I compare thee to a summer’s day?”)
- 19 (“Devouring Time, blunt thou the lion’s paws”)
- 20 (“A woman’s face with Nature’s own hand painted”)
- 23 (“As an unperfect actor on the stage”)
- 29 (“When, in disgrace with Fortune and men’s eyes”)
- 30 (“When to the sessions of sweet silent thought”)
- 33 (“Full many a glorious morning have I seen”)
- 35 (“No more be grieved at that which thou hast done”)
- 55 (“Not marble nor the gilded monuments”)
- 60 (“Like as the waves make towards the pebbled shore”)
- 62 (“Sin of self-love possesseth all mine eye”)
- 65 (“Since brass, nor stone, nor earth, nor boundless sea”)
- 71 (“No longer mourn for me when I am dead”)
- 73 (“That time of year thou may’st in me behold”)
- 74 (“But be contented; when that fell arrest”)
- 80 (“O, how I faint when I of you do write”)
- 87 (“Farewell: thou art too dear for my possessing”)
- 94 (“They that have power to hurt and will do none”)
- 97 (“How like a winter hath my absence been”)
- 98 (“From you have I been absent in the spring”)
- 105 (“Let not my love be called idolatry”)
- 106 (“When in the chronicle of wasted time”)
- 107 (“Not mine own fears, nor the prophetic soul”)
- 110 (“Alas, ’tis true I have gone here and there”)
- 116 (“Let me not to the marriage of true minds”)
- 126 (“O thou, my lovely boy, who in thy power”)
- 127 (“In the old age black was not counted fair”)
- 128 (“How oft when thou, my music, music play’st”)
- 129 (“Th’ expense of spirit in a waste of shame”)
- 130 (“My mistress’ eyes are nothing like the sun”)
- 135 (“Whoever hath her wish, thou hast thy Will”)
- 138 (“When my love swears that she is made of truth”)
- 144 (“Two loves I have of comfort and despair”)
- 146 (“Poor soul, the center of my sinful earth”)
- 147 (“My love is as a fever, longing still”)
- 152 (“In loving thee thou know’st I am forsworn”)
- The Tragedy of Othello, the Moor of Venice
- The Names of the Actors
- 1.1
- 1.2
- 1.3
- 2.1
- 2.2
- 2.3
- 3.1
- 3.2
- 3.3
- 3.4
- 4.1
- 4.2
- 4.3
- 5.1
- 5.2
- The Tempest
- The Persons of the Play
- 1.1
- 1.2
- 2.1
- 2.2
- 3.1
- 3.2
- 3.3
- 4.1
- 5.1
- Epilogue
- ENGLAND AND THE WORLD
- SIR WALTER RALEGH
- From The Discovery of the . . . Empire of Guiana
- THOMAS HARIOT
- From A Brief and True Report of the New-Found Land of Virginia
- WILLIAM STRACHEY
- From A True Reportory of the Wreck . . . upon . . . the Islands of the Bermudas
- JOHN SMITH
- From The General History of Virginia, New England, and the Summer Isles
- RICHARD LIGON
- From A True and Exact History of the Island of Barbados
- THE EARLY SEVENTEENTH CENTURY (1603–1660)
- PERIOD INTRODUCTION: The Early Seventeenth Century (1603–1660)
- Period Introduction: Opener
- Period Introduction: State and Church, 1603–1640
- Period Introduction: Literature and Culture, 1603–1640
- Period Introduction: The Caroline Era, 1625–1640
- Period Introduction: The Revolutionary Era, 1640–1660
- Period Introduction: Literature and Culture, 1640–1660
- Period Introduction: Timeline of the Early Seventeenth Century
- JOHN DONNE (1572–1631)
- From Songs and Sonnets
- The Flea
- The Good-Morrow
- Song (“Go and catch a falling star”)
- The Sun Rising
- The Indifferent
- The Canonization
- Song (“Sweetest love, I do not go”)
- Air and Angels
- Break of Day
- A Valediction: Of Weeping
- A Nocturnal upon Saint Lucy’s Day, Being the Shortest Day
- The Bait
- The Apparition
- A Valediction: Forbidding Mourning
- The Ecstasy
- The Funeral
- The Relic
- A Lecture upon the Shadow
- Elegy 16. On His Mistress
- Elegy 19. To His Mistress Going to Bed
- Satire 3
- Text of Satire 3
- To Sir Henry Wotton (“Sir, more than kisses, letters mingle souls”)
- From Holy Sonnets
- 1 (“Thou hast made me, and shall thy work decay?”)
- 5 (“I am a little world made cunningly”)
- 7 (“At the round earth’s imagined corners, blow”)
- 9 (“If poisonous minerals, and if that tree”)
- 10 (“Death, be not proud, though some have callèd thee”)
- 11 (“Spit in my face ye Jews, and pierce my side”)
- 13 (“What if this present were the world’s last night?”)
- 14 (“Batter my heart, three-personed God; for you”)
- 17 (“Since she whom I loved hath paid her last debt”)
- 18 (“Show me, dear Christ, thy spouse so bright and clear”)
- 19 (“Oh, to vex me, contraries meet in one”)
- Good Friday, 1613. Riding Westward
- Hymn to God My God, in My Sickness
- A Hymn to God the Father
- From Devotions upon Emergent Occasions
- Meditation 4
- Meditation 17
- From Expostulation 19
- From Death’s Duel
- AEMILIA LANYER (1569–1645)
- From Salve Deus Rex Judaeorum
- From To the Queen’s Most Excellent Majesty
- From To the Lady Anne, Countess of Dorset
- From Salve Deus Rex Judaeorum
- The Description of Cookham
- BEN JONSON (1572–1637)
- Volpone
- Volpone or The Fox
- The Argument
- Prologue
- Act 1
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Act 2
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Act 3
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Act 4
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Act 5
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Scene 10
- Scene 11
- Scene 12
- The Masque of Blackness
- Text of the Masque of Blackness
- From Epigrams
- To My Book
- On Something, That Walks Somewhere
- To Fine Lady Would-Be
- On My First Daughter
- On My First Son
- To Lucy, Countess of Bedford, with Mr. Donne’s Satires
- To Sir Thomas Roe
- Inviting a Friend to Supper
- On Gut
- From The Forest
- To Penshurst
- Song: To Celia
- To Heaven
- From Underwood
- A Sonnet, to the Noble Lady, the Lady Mary Wroth
- My Picture Left in Scotland
- The Ode on Cary and Morison
- To the Immortal Memory and Friendship of That Noble Pair, Sir Lucius Cary and Sir H. Morison
- Queen and Huntress
- To the Memory of My Beloved, The Author, Mr. William Shakespeare, and What He Hath Left Us
- Ode to Himself
- MARY WROTH (1587–1651?)
- From The Countess of Montgomery’s Urania: From The First Book
- From Pamphilia to Amphilanthus
- 1 (“When night’s black mantle could most darkness prove”)
- 16 (“Am I thus conquered? Have I lost the powers”)
- 25 (“Like to the Indians scorched with the sun”)
- 26 (“When everyone to pleasing pastime hies”)
- 28 Song (“Sweetest love, return again”)
- 39 (“Take heed mine eyes, how you your looks do cast”)
- 40 (“False hope which feeds but to destroy and spill”)
- 64 (“Love like a juggler comes to play his prize”)
- 68 (“My pain still smothered in my grievèd breast”)
- 74 Song (“Love a child is ever crying”)
- From A Crown of Sonnets Dedicated to Love: 77 (“In this strange labyrinth how shall I turn?”)
- 103 (“My muse now happy lay thyself to rest”)
- JOHN WEBSTER (1580?–1625?)
- The Duchess of Malfi
- Dramatis Personae
- 1.1
- 1.2
- 1.3
- 2.1
- 2.2
- 2.3
- 2.4
- 2.5
- 3.1
- 3.2
- 3.3
- 3.4
- 3.5
- 4.1
- 4.2
- 5.1
- 5.2
- 5.3
- 5.4
- 5.5
- FRANCIS BACON (1561–1626)
- From Essays
- Of Truth
- Of Marriage and Single Life
- Of Great Place
- Of Superstition
- Of Plantations
- Of Negotiating
- Of Masques and Triumphs
- Of Studies [1597 version]
- Of Studies [1625 version]
- From The Advancement of Learning [The Abuses of Language]
- From Novum Organum
- From The New Atlantis [Solomon’s House]
- GEORGE HERBERT (1593–1633)
- From The Temple
- The Altar
- Redemption
- Easter
- Easter Wings
- Affliction (1)
- Prayer (1)
- Jordan (1)
- Church Monuments
- The Windows
- Denial
- Virtue
- Man
- Jordan (2)
- Affliction (4)
- The Bunch of Grapes
- The Holdfast
- The Collar
- The Pulley
- The Flower
- The Forerunners
- Discipline
- Death
- Love (3)
- HENRY VAUGHAN (1621–1695)
- From Silex Scintillans
- Regeneration
- The Retreat
- Silence, and Stealth of Days!
- Corruption
- Unprofitableness
- The World
- Cock-Crowing
- The Waterfall
- Quickness
- RICHARD CRASHAW (ca. 1613–1649)
- From Steps to the Temple
- Acts 8. On the Baptized Aethiopian
- To the Infant Martyrs
- I Am the Door
- Luke 11.[27] Blessed be the paps which Thou hast sucked
- On the Wounds of Our Crucified Lord
- On Our Crucified Lord Naked and Bloody
- Carmen Deo Nostro: The Flaming Heart
- Text of The Flaming Heart
- ROBERT HERRICK (1591–1674)
- From Hesperides
- The Argument of His Book
- Upon the Loss of His Mistresses
- The Vine
- Dreams
- Delight in Disorder
- Corinna’s Going A-Maying
- To the Virgins, to Make Much of Time
- The Hock Cart, or Harvest Home
- Upon the Nipples of Julia’s Breast
- Upon His Verses
- Upon Julia’s Clothes
- Upon Prue, His Maid
- To His Book’s End
- From Noble Numbers
- To His Conscience
- Another Grace for a Child
- HESTER PULTER (1605–1678)
- Upon the Death of My Dear and Lovely Daughter, Jane Pulter
- View But This Tulip
- Dear God, from Thy High Throne Look Down
- RICHARD LOVELACE (1617–1657)
- From Lucasta
- To Lucasta, Going to the Wars
- The Grasshopper
- To Althea, from Prison
- La Bella Bona Roba
- A Black Patch on Lucasta’s Face
- Love Made in the First Age. To Chloris
- LUCY HUTCHINSON (1620–1681)
- From Translation of Lucretius’s De rerum natura
- To the Garden at Owthorpe
- From Order and Disorder: Canto 5
- KATHERINE PHILIPS (1632–1664)
- A Married State
- An Answer to Another Persuading a Lady to Marriage
- Upon the Double Murder of King Charles
- Friendship’s Mystery, To My Dearest Lucasia
- To Mrs. M. A. at Parting
- Epitaph: On Her Son H. P. at St. Syth’s Church, Where Her Body Was Interred
- ANDREW MARVELL (1621–1678)
- The Coronet
- Bermudas
- A Dialogue Between the Soul and Body
- The Nymph Complaining for the Death of Her Fawn
- To His Coy Mistress
- The Definition of Love
- The Picture of Little T. C. in a Prospect of Flowers
- The Mower Against Gardens
- Damon the Mower
- The Mower to the Glowworms
- The Mower’s Song
- The Garden
- An Horatian Ode
- Upon Appleton House
- CRISIS OF AUTHORITY
- PETITIONING
- A True Copy of the Petition of Gentlewomen and Tradesmen’s Wives
- REPORTING THE NEWS
- From The Moderate, No. 28 [The Trial of King Charles I, the First Day]
- From A Perfect Diurnal of Some Passages in Parliament, No. 288 [The Execution of Charles I]
- POLITICAL WRITING
- ROBERT FILMER
- From Patriarcha
- JOHN MILTON
- From The Tenure of Kings and Magistrates
- GERRARD WINSTANLEY
- From A New Year’s Gift Sent to the Parliament and Army
- THOMAS HOBBES
- From Leviathan
- From The Introduction [The Artificial Man]
- From Chapter 15. Of Other Laws of Nature
- Chapter 17. Of the Causes, Generation, and Definition of a Commonwealth
- HISTORY AND LIFE-WRITING
- EDWARD HYDE, EARL OF CLARENDON
- From The History of the Rebellion [The Character of Oliver Cromwell]
- DOROTHY WAUGH
- A Relation Concerning Dorothy Waugh’s Cruel Usage by the Mayor of Carlisle
- MARGARET CAVENDISH (1623–1673)
- From Poems and Fancies
- The Poetess’s Hasty Resolution
- A World Made by Atoms
- Of Many Worlds in This World
- The Hunting of the Hare
- Of Sense and Reason Exercised in Their Different Shapes
- From The Description of a New World, Called The Blazing World
- JOHN MILTON (1608–1674)
- From Poems
- On the Morning of Christ’s Nativity
- On Shakespeare
- L’Allegro
- Il Penseroso
- Lycidas
- Text of Lycidas
- From The Reason of Church Government Urged Against Prelaty [Plans and Projects]
- From Areopagitica
- Sonnets
- How Soon Hath Time
- On the New Forcers of Conscience under the Long Parliament
- To the Lord General Cromwell, May 1652
- When I Consider How My Light Is Spent
- On the Late Massacre in Piedmont
- Methought I Saw My Late Espousèd Saint
- Paradise Lost
- The Verse
- Book 1
- Book 2
- Book 3
- Book 4
- Book 5
- Book 6
- Book 7
- Book 8
- Book 9
- Book 10
- Book 11
- Book 12
- VOLUME C: The Restoration and the Eighteenth Century
- PERIOD INTRODUCTION: The Restoration and the Eighteenth Century (1660–1785)
- Period Introduction: Opener
- Period Introduction: Religion, Politics, and Britain in the World
- Period Introduction: The Context of Ideas
- Period Introduction: Conditions of Literary Production
- Period Introduction: Poetic Principles
- Period Introduction: Restoration Literature, 1660-1700
- Period Introduction: Early Eighteenth-Century Literature, 1700-1745
- Period Introduction: The Emergence of New Literary Themes and Modes, 1740-85
- Period Introduction: Timeline of the Restoration and the Eighteenth Century
- JOHN DRYDEN (1631-1700)
- From Annus Mirabilis [London Reborn]
- Absalom and Achitophel
- Absalom and Achitophel: A Poem
- Mac Flecknoe
- Text of Mac Flecknoe
- A Song for St. Cecilia’s Day
- Epigram on Milton
- Criticism
- From An Essay of Dramatic Poesy
- From The Author’s Apology for Heroic Poetry and Heroic License
- From A Discourse Concerning the Original and Progress of Satire
- SAMUEL PEPYS (1633-1703)
- From The Diary
- [The Great Fire]
- [The Deb Willet Affair]
- JOHN BUNYAN (1628–1688)
- From The Pilgrim’s Progress
- [Christian Sets Out for the Celestial City]
- [The Slough of Despond]
- [Vanity Fair]
- [The River of Death and the Celestial City]
- SCIENCE, SOCIETY, AND GOD
- THOMAS SPRAT
- From The History of the Royal Society
- ROBERT HOOKE
- From Micrographia
- MARGARET CAVENDISH
- From Observations upon Experimental Philosophy
- SIR ISAAC NEWTON
- From A Letter . . . Containing His New Theory about Light and Colors
- JOHN LOCKE
- From An Essay Concerning Human Understanding
- ROBERT BOYLE
- General Heads for a Natural History of a Country, Great or Small
- JOSEPH ADDISON
- [On Useless Science] Tatler 216
- [On the Scale of Being] Spectator 519
- JOHN WILMOT, SECOND EARL OF ROCHESTER (1647–1680)
- The Disabled Debauchee
- The Imperfect Enjoyment
- Upon Nothing
- A Satire against Reason and Mankind
- Love and Life
- To a Lady, in a Letter
- Song [Love a woman! You're an ass]
- APHRA BEHN (1640?–1689)
- The Disappointment
- To the Fair Clarinda
- Oroonoko; or, The Royal Slave
- ANNE FINCH, COUNTESS OF WINCHILSEA (1661–1720)
- The Introduction
- Mercury and the Elephant: A Prefatory Fable
- From The Spleen
- Upon the Hurricane
- A Nocturnal Reverie
- MARY ASTELL (1666–1731)
- From Some Reflections upon Marriage
- From A Preface, in Answer to Some Objections to Reflections upon Marriage
- WILLIAM CONGREVE (1670–1729)
- The Way of the World
- Prologue
- Act 1
- Act 2
- Act 3
- Act 4
- Act 5
- Epilogue
- JOSEPH ADDISON (1672–1719) AND SIR RICHARD STEELE (1672–1729)
- Steele: [The Spectator's Club] (Spectator 2)
- Addison: [The Aims of the Spectator] (Spectator 10)
- Steele: [Inkle and Yarico] (Spectator 11)
- Addison: [The Hoop Petticoat] (Spectator 127)
- Addison: [The Pleasures of the Imagination] (Spectator 411)
- FROM THE ARABIAN NIGHTS ENTERTAINMENTS (1706–21)
- [The Story of Schahriar and Scheherazade]
- [The Story of Ali Baba, and the Forty Thieves Destroyed by a Slave]
- [The Conclusion to the Story of Schahriar and Scheherazade]
- GLOBAL COMMERCE AND EMPIRE
- JOSEPH ADDISON
- [The Royal Exchange] Spectator 69
- ALEXANDER POPE
- From Windsor-Forest
- JAMES THOMSON
- Ode: Rule, Britannia
- OLIVER GOLDSMITH
- From The Citizen of the World
- THOMAS JEFFERSON
- The Declaration of Independence
- GERALD FITZGERALD
- From The Injured Islanders
- ANNA SEWARD
- From An Elegy on Captain Cook
- EDMUND BURKE
- From Mr. Burke’s Speech . . . on Mr. Fox’s East India Bill
- SAMSON OCCOM
- Montaukett Petition
- DEAN MAHOMET
- From The Travels of Dean Mahomet
- JONATHAN SWIFT (1667–1745)
- A Description of a City Shower
- Verses on the Death of Dr. Swift
- From Gulliver’s Travels
- A Letter from Captain Gulliver to His Cousin Sympson
- The Publisher to the Reader
- Part 1. A Voyage to Lilliput
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Part 2. A Voyage to Brobdingnag
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Part 4. A Voyage to the Country of the Houyhnhnms
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- A Modest Proposal
- ALEXANDER POPE (1688–1744)
- An Essay on Criticism
- Part 1
- Part 2
- Part 3
- The Rape of the Lock
- To Mrs. Arabella Fermor
- Canto 1
- Canto 2
- Canto 3
- Canto 4
- Canto 5
- Eloisa to Abelard
- Text of Eloisa to Abelard
- An Essay on Man
- Epistle 1. Of the Nature and State of Man, with Respect to the Universe
- From Epistle 2. Of the Nature and State of Man with Respect to Himself, as an Individual
- Epistle to Dr. Arbuthnot
- Text of Epistle to Dr. Arbuthnot
- JOHN GAY (1685-1732)
- The Beggar’s Opera
- Introduction
- Act 1
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Scene 10
- Scene 11
- Scene 12
- Scene 13
- Act 2
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Scene 10
- Scene 11
- Scene 12
- Scene 13
- Scene 14
- Scene 15
- Act 3
- Scene 1
- Scene 2
- Scene 3
- Scene 4
- Scene 5
- Scene 6
- Scene 7
- Scene 8
- Scene 9
- Scene 10
- Scene 11
- Scene 12
- Scene 13
- Scene 14
- Scene 15
- Scene 16
- Scene 17
- LADY MARY WORTLEY MONTAGU (1689–1762)
- Saturday. The Small Pox
- The Lover: A Ballad
- Epistle from Mrs. Yonge to Her Husband
- From Letters . . . Written during Her Travels [The Turkish Embassy Letters]
- [Letter 26. “The Women’s Coffee House”; or, The Turkish Baths]
- [Letter 30. Reading Poetry in Turkey]
- [Letter 31. The Turkish Method of Inoculation for the Small Pox]
- ELIZA HAYWOOD (1693?–1756)
- Fantomina; or, Love in a Maze
- THE RISE OF THE NOVEL
- WILLIAM CONGREVE
- From The Preface to Incognita
- DANIEL DEFOE
- From The Life and Strange Adventures of Robinson Crusoe
- From The Farther Adventures of Robinson Crusoe
- MARY DAVYS
- From Preface to The Works
- ELIZA HAYWOOD
- From Preface to The Fortunate Foundlings
- HENRY FIELDING
- From Preface to Joseph Andrews
- SAMUEL RICHARDSON
- From Preface to Clarissa
- SAMUEL JOHNSON
- [On Fiction] Rambler 4
- CHARLOTTE LENNOX
- From The Female Quixote
- From Chapter 1
- From Chapter 7
- JAMES FORDYCE
- From Sermon IV: On Female Virtue
- CLARA REEVE
- From The Progress of Romance
- From Evening VII
- From Evening VIII
- From Evening XII
- WILLIAM HOGARTH (1697–1764)
- Marriage A-la-Mode
- JAMES THOMSON (1700–1748)
- The Seasons: From Autumn
- STEPHEN DUCK (1705–1756)
- The Thresher’s Labor
- MARY COLLIER (ca. 1699–1762)
- The Woman’s Labor
- WOMEN, GENDER, POWER
- ANNE FINCH, COUNTESS OF WINCHILSEA
- The Unequal Fetters
- A Letter to Dafnis April 2d 1685
- MARY, LADY CHUDLEIGH
- To the Ladies
- ANONYMOUS
- Cloe to Artimesa
- MARY MASTERS
- To the Same, Enquiring Why I Wept
- JONATHAN SWIFT
- The Lady’s Dressing Room
- LADY MARY WORTLEY MONTAGU
- The Reasons That Induced Dr. Swift to Write a Poem Called The Lady’s Dressing Room
- HENRY FIELDING
- The Female Husband
- MARY LEAPOR
- An Essay on Woman
- An Epistle to a Lady
- HANNAH SNELL AND ROBERT WALKER
- From The Female Soldier
- [Soldiering as a Child; Her Marriage]
- [Wounded in India]
- [Managing Manhood]
- [Revealing Womanhood]
- [A Public Figure]
- ELIZABETH CARTER
- A Dialogue
- HESTER CHAPONE
- From Letters on the Improvement of the Mind, Addressed to a Young Lady
- SAMUEL JOHNSON (1709–1784)
- The Vanity of Human Wishes
- Text of The Vanity of Human Wishes
- [Biography] Rambler 60
- The History of Rasselas, Prince of Abyssinia
- Chapter 1. Description of a Palace in a Valley
- Chapter 2. The Discontent of Rasselas in the Happy Valley
- Chapter 3. The Wants of Him That Wants Nothing
- Chapter 4. The Prince Continues to Grieve and Muse
- Chapter 5. The Prince Meditates His Escape
- Chapter 6. A Dissertation on the Art of Flying
- Chapter 7. The Prince Finds a Man of Learning
- Chapter 8. The History of Imlac
- Chapter 9. The History of Imlac Continued
- Chapter 10. Imlac’s History Continued. A Dissertation upon Poetry
- Chapter 11. Imlac's Narrative Continued. A Hint on Pilgrimage
- Chapter 12. The Story of Imlac Continued
- Chapter 13. Rasselas Discovers the Means of Escape
- Chapter 14. Rasselas and Imlac Receive an Unexpected Visit
- Chapter 15. The Prince and Princess Leave the Valley, and See Many Wonders
- Chapter 16. They Enter Cairo, and Find Every Man Happy
- Chapter 17. The Prince Associates with Young Men of Spirit and Gaiety
- Chapter 18. The Prince Finds a Wise and Happy Man
- Chapter 19. A Glimpse of Pastoral Life
- Chapter 20. The Danger of Prosperity
- Chapter 21. The Happiness of Solitude. The Hermit’s History
- Chapter 22. The Happiness of a Life Led according to Nature
- Chapter 23. The Prince and His Sister Divide between Them the Work of Observation
- Chapter 24. The Prince Examines the Happiness of High Stations
- Chapter 25. The Princess Pursues Her Inquiry with More Diligence Than Success
- Chapter 26. The Princess Continues Her Remarks upon Private Life
- Chapter 27. Disquisition upon Greatness
- Chapter 28. Rasselas and Nekayah Continue Their Conversation
- Chapter 29. The Debate on Marriage Continued
- Chapter 30. Imlac Enters, and Changes the Conversation
- Chapter 31. They Visit the Pyramids
- Chapter 32. They Enter the Pyramid
- Chapter 33. The Princess Meets with an Unexpected Misfortune
- Chapter 34. They Return to Cairo without Pekuah
- Chapter 35. The Princess Languishes for Want of Pekuah
- Chapter 36. Pekuah Is Still Remembered. The Progress of Sorrow
- Chapter 37. The Princess Hears News of Pekuah
- Chapter 38. The Adventures of the Lady Pekuah
- Chapter 39. The Adventures of Pekuah Continued
- Chapter 40. The History of a Man of Learning
- Chapter 41. The Astronomer Discovers the Cause of His Uneasiness
- Chapter 42. The Opinion of the Astronomer Is Explained and Justified
- Chapter 43. The Astronomer Leaves Imlac His Directions
- Chapter 44. The Dangerous Prevalence of Imagination
- Chapter 45. They Discourse with an Old Man
- Chapter 46. The Princess and Pekuah Visit the Astronomer
- Chapter 47. The Prince Enters, and Brings a New Topic
- Chapter 48. Imlac Discourses on the Nature of the Soul
- Chapter 49. The Conclusion, in Which Nothing Is Concluded
- From A Dictionary of the English Language
- From Preface
- [Some Definitions: A Small Anthology]
- From The Preface to Shakespeare
- [Shakespeare’s Excellence, General Nature]
- [Shakespeare’s Faults]
- JAMES BOSWELL (1740–1795)
- From The Life of Samuel Johnson, LL.D.
- [Plan of the Life]
- [The Letter to Chesterfield]
- [A Memorable Year: Boswell Meets Johnson]
- [Ossian]
- [Johnson Faces Death]
- THOMAS GRAY (1716–1771)
- Ode on the Death of a Favorite Cat
- Elegy Written in a Country Churchyard
- Sonnet on the Death of Mr. Richard West
- The Bard
- WILLIAM COLLINS (1721–1759)
- Ode to Evening
- CHRISTOPHER SMART (1722–1771)
- From Jubilate Agno [My Cat Jeoffry]
- OLIVER GOLDSMITH (ca. 1730–1774)
- The Deserted Village
- JAMES MACPHERSON (OSSIAN) (1736–1796)
- From Fragments of Ancient Poetry, Collected in the Highlands of Scotland
- Fragment 7
- Fragment 12
- BRITAIN AND TRANSATLANTIC SLAVERY
- JOHN LOCKE
- From Two Treatises of Government
- WILLIAM SNELGRAVE
- From A New Account of Some Parts of Guinea, and the Slave Trade
- ANTHONY BENEZET
- From Some Historical Account of Guinea
- Introduction
- Chapter 13
- Chapter 14
- CONFRONTING THE LAW
- Fugitive Advertisements from the Jamaica Mercury
- William Murray, Lord Mansfield: The Somerset Ruling
- Felix’s Petition to Thomas Hutchinson, Governor of Massachusetts Bay Colony
- Prince Hall: [A Petition to the State of Massachusetts]
- Samuel Johnson: [A Brief in Support of Joseph Knight]
- OTTOBAH CUGOANO
- From Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species
- SLAVERY IN POETRY
- JAMES GRAINGER
- From The Sugar-Cane
- WILLIAM SHENSTONE
- Elegy XX [An Elegy, on the Miserable State of an African Slave]
- JUPITER HAMMON
- An Essay on Slavery
- HANNAH MORE
- From Slavery, a Poem
- JAMES BOSWELL
- From No Abolition of Slavery; or, The Universal Empire of Love
- PHILLIS WHEATLEY (ca. 1753–1784)
- To Maecenas
- To the University of Cambridge, in New-England
- On Being Brought from Africa to America
- Thoughts on the Works of Providence
- On Imagination
- To the Right Honourable William, Earl of Dartmouth
- To S. M., a Young African Painter, on Seeing His Works
- Letter to Samson Occom
- SENTIMENT
- DAVID HUME
- From A Treatise of Human Nature
- ADAM SMITH
- From The Theory of Moral Sentiments
- FRANCES GREVILLE
- A Prayer for Indifference
- IGNATIUS SANCHO
- From Letters of the Late Ignatius Sancho, an African
- Volume I, Letter XLVII
- Volume 1, Letter LVII
- Volume II, Letter I
- ANTISLAVERY SENTIMENT: THE SANCHO–STERNE EXCHANGE
- Ignatius Sancho to Laurence Sterne, July 1766
- Laurence Sterne to Ignatius Sancho, July 1766
- Laurence Sterne: Tristram Shandy [Uncle Toby and Corporal Trim on Slavery and Race]
- Laurence Sterne: A Sentimental Journey through France and Italy [The Starling]
- HENRY MACKENZIE
- From The Man of Feeling
- Chapter XXXIV
- Chapter XXXV
- Chapter XXXVI
- A Fragment
- ELIZABETH RYVES
- Ode to Sensibility
- ANN YEARSLEY
- Addressed to Sensibility
- FRANCES BURNEY (1752–1840)
- From Evelina
- Preface
- Vol. I, Letter VIII (Evelina to the Rev. Mr. Villars)
- Vol. I, Letter IX (Mr. Villars to Evelina)
- Vol. I, Letter X (Evelina to the Rev. Mr. Villars)
- Vol. I, Letter XI (Evelina in Continuation)
- Vol. I, Letter XII (Evelina in Continuation)
- Vol. I, Letter XIII (Evelina in Continuation)
- From The Journal and Letters
- [First Journal Entry]
- [A Young and Agreeable Infidel]
- [A Mastectomy]
- [M. d’Arblay’s Postscript]
- WILLIAM COWPER (1731–1800)
- From The Task
- From Book 1
- [A Landscape Described. Rural Sounds]
- [Crazy Kate]
- From Book 3
- [The Stricken Deer]
- From Book 4
- [The Winter Evening: A Brown Study]
- The Castaway
- OLAUDAH EQUIANO (ca. 1745–1797)
- From The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself
- [The Dedication to Parliament]
- From Chapter I [Life in Africa]
- From Chapter II [Abduction and Captivity]
- From Chapter VII [A Free Man]
- From Chapter XII [Letter to the Queen]
- Appendices
- Volume A: The Middle Ages
- General Bibliography
- Literary Terminology
- Geographic Nomenclature
- British Money
- The British Baronage
- The Royal Lines of England and Great Britain
- Religions in Great Britain
- Volume B: The Sixteenth Century and the Early Seventeenth Century
- General Bibliography
- Literary Terminology
- Geographic Nomenclature
- British Money
- The British Baronage
- Religions in Great Britain
- Illustration: The Universe According to Ptolemy
- Illustration: A London Playhouse of Shakespeare’s Time
- Volume C: The Restoration and the Eighteenth Century
- General Bibliography
- Histories of England and of English Literature
- Reference Works
- Literary Criticism and Theory
- Literary Terminology
- A. Terms of Style, Structure, Form, and Kind
- B: Publishing History, Censorship
- Geographic Nomenclature
- British Money
- The British Baronage
- The Royal Lines of England and Great Britain
- Religions in Great Britain
- The Universe According to Ptolemy
- Permissions Acknowledgments
- Volume A: The Middle Ages (to ca. 1485)
- Volume B: The Sixteenth Century and the Early Seventeenth Century (1485–1603)
- Volume C: The Restoration and the Eighteenth Century (1660–1785)
- Index
- Volume A: The Middle Ages (to ca. 1485)
- Volume B: The Sixteenth Century and the Early Seventeenth Century (1485–1603)
- Volume C: The Restoration and the Eighteenth Century (1660–1785)
- Image Galleries
- Volume A: The Middle Ages (to ca. 1485)
- Volume B: The Sixteenth Century and the Early Seventeenth Century (1485–1603)
- Volume C: The Restoration and the Eighteenth Century (1660–1785)