The Anthropology of Art

Höfundar: Howard Morphy; Morgan Perkins (Útgáfa: 1)
The Anthropology of Art

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Nánar um bókina

Útgefandi
Wiley Global Research (STMS)
ISBN
9781405155328
Print ISBN
9781405105613
Format
Page Fidelity (PDF)
Útgáfa
1
Höfundar
Howard Morphy; Morgan Perkins
Tungumál
English
Útgefið
2009-02-04
Prent takmörkun á líftíma
100
Prent takmörkun
10
Afritunar takmörkun
2

Kaflar

  • Contents
  • Acknowledgments
  • About the Authors
  • The Anthropology of Art: A Reflection on its History and Contemporary Practice
  • Part I Foundations and Framing the Discipline
  • 1 Primitive Art
  • 2 Split Representation in the Art of Asia and America
  • 3 Introduction to Tribes and Forms in African Art
  • 4 Style, Grace, and Information in Primitive Art
  • 5 Tikopia Art and Society
  • 6 The Abelam Artist
  • Part II Primitivism, Art, and Artifacts
  • 7 Modernist Primitivism: An Introduction
  • 8 Defective Affinities: ‘‘Primitivism’’ in 20th Century Art
  • 9 Histories of the Tribal and the Modern
  • 10 A Case in Point and Afterwords to Primitive Art in Civilized Places
  • 11 Oriental Antiquities/Far Eastern Art
  • 12 Introduction to Art/Artifact: African Art in Anthropology Collections
  • 13 Vogel’s Net: Traps as Artworks and Artworks as Traps
  • Part III Aesthetics across Cultures
  • 14 Yoruba Artistic Criticism
  • 15 Style in Technology: Some Early Thoughts
  • 16 ‘‘Marvels of Everyday Vision’’: The Anthropology of Aesthetics and the Cattle-keeping Nil
  • 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu
  • Part IV Form, Style, and Meaning
  • 18 Visual Categories: An Approach to the Study of Representational Systems
  • 19 Structural Patterning in Kwakiutl Art and Ritual
  • 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans’ Masks
  • 21 All Things Made
  • 22 Modernity and the ‘‘Graphicalization’’ of Meaning: New Guinea Highland Shield Design in H
  • Part V Marketing Culture
  • 23 Arts of the Fourth World
  • 24 The Collecting and Display of Souvenir Arts: Authenticity and the ‘‘Strictly Commercial’’
  • 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market
  • Part VI Contemporary Artists
  • 26 A Second Reflection: Presence and Opposition in Contemporary Maori Art
  • 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings
  • 28 Aesthetics and Iconography: An Artist’s Approach
  • 29 Kinds of Knowing
  • 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another
  • Index