Shakespeare in Our Time
Höfundar:
Dympna Callaghan; Suzanne Gossett (Útgáfa: 1)
Kaup valmöguleikar
This volume marks the 400th anniversary of Shakespeare's death by reflecting on the unrivalled work of the Shakespeare Association of America and offering a unique collection of leading Shakespeare scholars outlining key developments in Shakespeare studies over the last two decades. These essays are complemented by younger scholars who respond and look forward to new fields of study and debate. As such the book offers a "state of the nation" look at Shakespeare criticism, covering all the key areas of research and study including gender, text, performance, the body, history, religion and biography.
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- Bloomsbury UK
- 9781472520432
- 9781472520418
- ePub
- 1
- Dympna Callaghan; Suzanne Gossett
- English
- 2016-02-25
- 100
- 10
- 10
Kaflar
- Dedication
- Title
- Contents
- Preface Lena Cowen Orlin
- List of Contributors
- Introduction Dympna Callaghan and Suzanne Gossett
- 1 Feminism
- Why Feminism Still Matters Phyllis Rackin
- Just Imagine Kathryn Schwarz
- Letters, Characters, Roots Wendy Wall
- 2 Sexuality
- Deeds, Desire, Delight Bruce R. Smith
- Rethinking Sexual Acts and Identities Mario DiGangi
- HexaSexuality Madhavi Menon
- 3 Teaching
- The Classroom David Bevington
- Money for Jam Marjorie Garber
- Extension Work Patricia Cahill
- 4 Editing
- Facts, Theories, and Beliefs Barbara A. Mowat
- What We Owe to Editors Lukas Erne
- What’s Next in Editing Shakespeare Sonia Massai
- 5 Mortality
- Suicide as Profit or Loss Mary Beth Rose
- Death and King Lear Michael Neill
- Shakespeare’s Here Scott L. Newstok
- 6 Media
- Spectatorship, Remediation, and One Hundred Years of Hamlet James C. Bulman
- Performing Shakespeare through Social Media Pascale Aebischer
- Reading Shakespeare through Media Archaeology Alan Galey
- 7 Race and Class
- Is Black so Base a Hue? Jean E. Howard
- The Race of Shakespeare’s Mind Lara Bovilsky
- Speaking of Race Ian Smith
- 8 Sources
- Shakespeare and the Bible Robert S. Miola
- Shakespeare’s Sources Ania Loomba
- Volver, or Coming Back Sarah Beckwith
- 9 Text and Authorship
- Collaboration 2016 Gary Taylor
- The Value of Stage Directions Laurie Maguire
- The Author Being Dead Adam G. Hooks
- 10 Globalization
- Against Our Own Ignorance Susanne L. Wofford
- Circumnavigation, Shakespeare, and the Origins of Globalization Daniel Vitkus
- The Bard in Calcutta, India, 1835–2014 Jyotsna G. Singh
- 11 Bodies and Emotions
- Bodies without Borders in Lear and Macbeth Gail Kern Paster
- Potions, Passion, and Fairy Knowledge in A Midsummer Night’s Dream Mary Floyd-Wilson
- Shakespeare and Variant Embodiment David Houston Wood
- 12 Social Context
- Social Contexting Frances E. Dolan
- “Hic et ubique”: Hamlet in Sync Bradin Cormack
- Playing in Context, Playing out Context William N. West
- 13 Historicism
- Historicizing Historicism William C. Carroll
- Minding Anachronism Margreta de Grazia
- The Historicist as Gamer Gina Bloom
- 14 Appropriations
- American Appropriation through the Centuries Georgianna Ziegler
- Appropriation 2.0 Christy Desmet
- Appropriation in Contemporary Fiction Andrew Hartley
- 15 Biography
- Shakespeare and Biography Peter Holland
- Shakespeare’s Friends and Family in the Archives David Kathman
- Biography vs. Novel Lois Potter
- 16 Classicism
- The Classics as Popular Discourse Coppélia Kahn
- Shakespeare’s Classicism, Redux Lynn Enterline
- Time, Verisimilitude, and the Counter-Classical Ovid Heather James
- 17 Public Shakespeare
- The Publicity of the Look Paul Yachnin
- Public Women / Women of Valor Julia Reinhard Lupton
- The Ghost of the Public University Henry S. Turner
- 18 Style
- William Shakespeare, Elizabethan Stylist Russ McDonald
- Nondramatic Style Stephen Guy-Bray
- Shakespeare’s Lexical Style Alysia Kolentsis
- 19 Performance
- Pluralizing Performance Diana E. Henderson
- The Study of Historical Performance Tiffany Stern
- Shakespeare / Performance W. B. Worthen
- 20 Ecocriticism
- Shakespeare and Nature Rebecca Bushnell
- Shakespeare without Nature Steve Mentz
- The Chicken and the Egg Karen Raber
- Afterword: Shakespeare in Tehran Stephen Greenblatt
- Copyright