Photography, Global Edition

Name: Photography, Global Edition
Price: 4510 ISK
Availability: InStock
Author: Jim Stone; Barbara London
ISBN: 9781292498478

Höfundar: Jim Stone; Barbara London (Útgáfa: 13)

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Photography provides thorough yet practical coverage of both the traditional practice of photography and the now-dominant digital techniques. Authors Jim Stone and Barbara London help you understand the fundamental photographic processes, as well as how different photographers employ them for their own creative purposes. The 13th Edition has been updated to reflect the latest in the field. Chapters 8 to 11, dedicated to digital technique, have been thoroughly updated to reflect the current state of digital photography.

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Útgefandi: Pearson International Content

ISBN: 9781292498478

Print ISBN: 9781292766157

Format: ePub

Útgáfa: 13

Höfundar: Jim Stone; Barbara London

Tungumál: English

Útgefið: 2026-06-27

Prent takmörkun á líftíma: 100

Prent takmörkun: 2

Afritunar takmörkun: 2

Kaflar

Cover
Cover
Front Matter
Title Page
Copyright Page
Brief Contents
Introduction
Preface
Dedication
Chapter 1: Getting started
Chapter 1: Getting started
Introducing the Film Camera
Getting Your Film Camera Ready
Introducing the Digital Camera
Getting Your Digital Camera Ready
Focusing and Setting the Exposure
Taking Your Picture
What Will You Photograph?: Some Basic Guidelines to Get You Started
Chapter 2: Camera
Chapter 2: Camera
Basic Camera Controls
The Shutter: The Shutter and Light
The Aperture: The Aperture and Light
Using Shutter and Aperture Together
Choosing a Camera
Film Cameras
Digital Cameras
Special-Purpose Cameras
Keeping the Camera Steady
Photographer at Work: Photojournalist Lynsey Addario
Chapter 3: Lens
Chapter 3: Lens
From Pinhole to Lens
Lens Focal Length
Special-Purpose Lenses
Focusing Your Lens: Manual Focus
Focus and Depth of Field
Perspective
Guidelines for Buying a Lens
Getting the Most from Your Camera and Lens
Photographer at Work: Fine-Art Photographer Alec Soth
Chapter 4: Exposure, sensors, and film
Chapter 4: Exposure, sensors, and film
Exposure Basics: Equivalent Exposures
How to Meter: An Overall Reading of a Scene with Average Tones
The Histogram: Measures a Digital Photograph
Exposure Latitude and Dynamic Range: How Much Can Exposures Vary?
Responding to Light: Silver and Pixels
Selecting and Using Film
Film and Sensor Speed: Speed and ISO
Using Filters with Black-and-White Film
Using Filters with Color Film
Using Exposure
Photographer at Work: Advertising Photographer Clint Clemens
Chapter 5: Light and Color
Chapter 5: Light and Color
Color: Additive or Subtractive
Color Photographs: Three into One
Color Characteristics
Color Balance: Color Changes throughout the Day
Color Modes and Gamuts
Color Management
Photographer at Work: Sports Photographer Elsa Garrison
Chapter 6: Developing a film negative
Chapter 6: Developing a film negative
How to Process Black-and-White Roll Film: Equipment and Supplies You’ll Need
Processing Black-and-White Roll Film Step by Step
How Film Processing Affects Your Picture
Exposure and Development: Under, Normal, Over
Chapter 7: Printing in a darkroom
Chapter 7: Printing in a darkroom
Black-and-White Printing: Equipment and Supplies for Printing
Making a Black-and-White Print Step by Step: A Contact Sheet: A Whole Roll at Once
Evaluating Density and Contrast in a Print
Controlling Contrast: Graded-Contrast and Variable-Contrast Papers
Dodging and Burning
Spotting to Remove Minor Flaws
Archival Processing for Maximum Permanence
Toning for Color and Other Effects
Making a Color Print from a Negative: Equipment and Materials You’ll Need
Chapter 8: Basics of digital pictures
Chapter 8: Basics of digital pictures
Hardware and Software: An Overview
Capturing Detail: Resolution and Bit Depth
Photographs Are Files: File Formats
Channels: Color or Black and White?
Importing Your Images: Downloading from a Camera/Scanning
Setting Up a Workflow
Workflow Applications
Photographer at Work: Online Impresario Jim Casper
Chapter 9: Image editing
Chapter 9: Image editing
Digital Post-Processing: Getting Started: Choosing Software
An Image-Editing Workflow: A Step-by-Step Process
Adjusting Shape: Crop and Rotate
Adjusting Color and Value: Different Approaches
Adjusting All or Part of an Image: Selection Tools
Other Editing Commands: High Dynamic Range
Compositing
Photographer at Work: RetouchShoppe—Scalese and Villarreal
Chapter 10: Printing digitally
Chapter 10: Printing digitally
Printers and Printing: Printer Choices
Printing Options: Panoramic Photographs and Stitching
Displaying Your Work: The Internet—Gallery and Resource
Ethics: How Far Can You Go?
Chapter 11: Organizing, storing, and presenting work
Chapter 11: Organizing, storing, and presenting work
Image Storage: Size Matters
Metadata: Data about Your Files
Software to Keep You Organized
Archiving Digital Images
Archiving Film and Prints
Mounting a Print
Framing and Glazing
Chapter 12: Lighting
Chapter 12: Lighting
Direction of Light
Degree of Diffusion: From Hard to Soft Light
Available Light—Outdoors
Available Light—Indoors
Artificial Light: Lights and Other Lighting Equipment
The Main Light: The Dominant Source
The Fill Light: To Lighten Shadows
Lighting with Flash
Simple Portrait Lighting
Multiple-Light Portrait Setups
Lighting Textured Objects
Lighting Reflective Objects
Lighting Translucent Objects
Using Lighting
Photographer at Work: Food Photographer Isa Zapata
Chapter 13: Extending the image
Chapter 13: Extending the image
Using Scale: Pictures Very Large and Very Small
Multiple Images: More is Better
Fabricated to be Photographed
Text and Image
The Photograph as Object
Using Projections
Making a Book
Alternative Processes: Cyanotype Printing
Pinhole Photography
Unusual Cameras
Close-up Exposures
Copying Techniques
Infrared Photography: Extending Beyond Visible Light
Chapter 14: View camera
Chapter 14: View camera
Inside a View Camera
The Zone System
View Camera Movements: Rise and Fall
Using a View Camera to Control the Image
Equipment You’ll Need
What to Do First—and Next
Loading and Processing Sheet Film
Chapter 15: Seeing photographs
Chapter 15: Seeing photographs
Basic Choices: Content
Basic Design: Spot/Line
More Choices: Using Contrasts of Sharpness
Looking at—and Talking about—Photographs
Showing Your Work to Editors and Others
Chapter 16: History of photography
Chapter 16: History of photography
The Invention of Photography
Daguerreotype: “Designs on Silver Bright”
Calotype: Pictures on Paper
Collodion Wet-Plate: Sharp and Reproducible
Gelatin Emulsion & Roll-Film: Cameras for Everyone
Color Photography
Early Portraits
Early Travel Photography
Early Images of War
Time and Motion in Early Photographs
The Photograph as Document
Photography and Social Change
Photojournalism
Photography as Art in the 19th Century
Pictorial Photography and the Photo-Secession
The Direct Image in Art
The Quest for a New Vision
Photography as Art in the 1950s and 1960s
Photography as Art in the 1970s and 1980s
Color Photography Arrives—Again
Digital Photography Becomes Mainstream
A Gallery of Contemporary Photography
A Gallery of Contemporary Photography
Troubleshooting
No picture at all (film)
Camera/lens problems (film)
Specks, scratches, fingerprints (film or darkroom prints)
Film development problems
Printing problems (darkroom)
Printing problems (darkroom or digital)
Density (overall lightness/darkness) problems
Color problems
Contrast problems
Sharpness problems
Flash problems
Digital problems
Appendix: AI and the Virtual Photograph
Appendix: AI and the Virtual Photograph
Bibliography
Technical Information
Advanced or Specialized
Alternative Processes
Business Practices
Color Photography
Digital Imaging
Health and Safety
History and Criticism
Visual Anthologies
Periodicals
Online Video Tutorials and More
Individual Photographers
Credits
Credits
Glossary