Introducing Cultural Studies

Höfundar: Brian Longhurst; Greg Smith; Gaynor Bagnall; Garry Crawford; Miles Ogborn (Útgáfa: 3)
Introducing Cultural Studies

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This updated, new edition of Introducing Cultural Studies provides a systematic and comprehensible introduction to the concepts, debates and latest research in the field. Reinforcing the interdisciplinary nature of Cultural Studies, the authors first guide the reader through cultural theory before branching out to examine different dimensions of culture in detail – including globalisation, the body, geography, fashion, and politics.

Incorporating new scholarship and international examples, this new edition includes: New and improved 'Defining Concepts', 'Key Influences', 'Example ', and 'Spotlight' features that probe deeper into the most significant ideas, theorists and examples, ensuring you obtain an in-depth understanding of the subject A brand new companion website featuring a flashcard glossary, web links, discussion and essay questions to stimulate independent study A new-look text design with over 60 pictures and tables draws all these elements together in an attractive, accessible design that makes navigating the book, and the subject, simple and logical Introducing Cultural Studies will be core reading for Cultural Studies undergraduates and postgraduates, as well as an illuminating guide for those on Communication and Media Studies, English, Sociology, and Social Studies courses looking for a clear overview of the field.

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Útgefandi
Taylor & Francis
ISBN
9781317426011
Print ISBN
9781138915725
Format
ePub
Útgáfa
3
Höfundar
Brian Longhurst; Greg Smith; Gaynor Bagnall; Garry Crawford; Miles Ogborn
Tungumál
English
Útgefið
2016-11-10
Prent takmörkun á líftíma
100
Prent takmörkun
2
Afritunar takmörkun
2

Kaflar

  • Cover Page
  • Half Title Page
  • Endorsements Page
  • Title Page
  • Copyright Page
  • Contents
  • A Visual Tour of Introducing Cultural Studies, Third Edition
  • Key Influence Boxes
  • Defining Concept Boxes
  • Spotlight Boxes
  • Example Boxes
  • Preface: A User's Guide
  • Acknowledgements
  • Publisher's Acknowledgements
  • Part 1: Cultural Theory
  • 1 Culture and cultural studies
  • 1.0 Introduction
  • 1.1 What is Culture?
  • Culture with a big ‘C’
  • Culture as a ‘way of life’
  • Process and development
  • 1.2 Issues and problems in the study of Culture
  • How do people become part of a culture?
  • How does cultural studies interpret what things mean?
  • How does cultural studies understand the past?
  • Can other cultures be understood?
  • How can we understand the relationships between cultures?
  • Why are some cultures and cultural forms valued more highly than others?
  • What is the relationship between culture and power?
  • How is ‘culture as power’ negotiated and resisted?
  • How does culture shape who we are?
  • 1.3 Theorising Culture
  • Culture and social structure
  • Social structure and social conflict: class, gender and ‘race’
  • Culture in its own right and as a force for change
  • Performing culture and becoming
  • 1.4 Conclusion: What is cultural Studies?
  • Further reading
  • 2 Culture, communication and representation
  • 2.0 Introduction
  • 2.1 The organisation of Meaning
  • Spoken, written and visual texts
  • Communication and meaning
  • Structuralism and the order of meaning
  • Hermeneutics and interpretation
  • Political economy, ideology and meaning
  • Poststructuralism and the patterns of meaning
  • Postmodernism and semiotics
  • 2.2 Language, Representation, Power and Inequality
  • Language and power
  • Language and class
  • Language, race and ethnicity
  • Language and gender
  • 2.3 Mass Communication and Representation
  • The mass media and representation
  • Mass media representations of gender
  • 2.4 Audience Research and Reception Studies
  • The behavioural paradigm
  • The incorporation/resistance paradigm
  • The spectacle/performance paradigm
  • 2.5 Conclusion
  • Further reading
  • 3 Culture, power, globalisation and inequality
  • 3.0 Introduction
  • 3.1 Understanding Globalisation
  • Globalisation: cultural and economic change
  • Theorising about globalisation
  • Globalisation and inequality
  • 3.2 Theorising about Culture, Power and Inequality
  • Marx and Marxism
  • Weber, status and inequality
  • Caste societies
  • 3.3 Legitimating Inequality
  • Ideology as common sense: hegemony
  • Ideology as incorporation: the Frankfurt School
  • Habitus
  • 3.4 Culture and the production and reproduction of Inequality
  • Class
  • ‘Race’ and ethnicity
  • Gender
  • Age
  • Structural and local conceptions of power
  • 3.5 Conclusion
  • Further reading
  • 4 Consumption, collaboration and digital media
  • 4.0 Introduction
  • 4.1 Consumption
  • Defining consumption
  • Theories of consumption
  • Consumer society
  • Shopping
  • Fashion
  • Advertising
  • 4.2 The Information Society
  • New information communication technologies
  • The culture of new media and digital technologies
  • Consequences of an information society
  • Technology and everyday life
  • 4.3 Conclusion
  • Further reading
  • 5 Researching culture
  • 5.0 Introduction
  • 5.1 Content and Thematic Analysis
  • Quantitative content analysis: gangsta rap lyrics
  • Thematic analysis
  • 5.2 Semiotics as a method of Analysis
  • Semiotics of advertising
  • A semiotic analysis of a sophisticated advertisement
  • 5.3 Ethnography
  • 5.4 Some New Directions
  • 5.5 Conclusion
  • Further reading
  • Part 2: Cultural Studies
  • 6 Topographies of culture: geography, meaning and power
  • 6.0 Introduction
  • 6.1 What is Cultural Geography?
  • 6.2 Placenames: Interaction, Power and Representation
  • 6.3 Landscape Representation
  • 6.4 National Identity
  • 6.5 Discourses of Orientalism
  • 6.6 Mobility, Hybridity and Heterogeneity
  • 6.7 Performing Identities
  • 6.8 Living in a material World
  • 6.9 Conclusion
  • Further reading
  • 7 Politics and culture
  • 7.0 Introduction
  • 7.1 Cultural Politics and Political Culture
  • From politics to cultural politics
  • Legitimation, representation and performance
  • 7.2 Cultures of political Power
  • The cultural politics of democracy in nineteenth-century Britain
  • Performing identities in conventional politics
  • Bureaucracy as culture
  • Performing state power
  • 7.3 Cultures of Resistance
  • Performing identities in unconventional politics
  • The limits of transgression: The Satanic Verses
  • 7.4 Conclusion
  • Further reading
  • 8 Cultured bodies
  • 8.0 Introduction
  • 8.1 The Social Construction of Corporeality
  • 8.2 Techniques of the Body
  • Mauss’s identification of body techniques
  • Young: ‘Throwing like a girl’
  • Goffman: body idiom and body gloss
  • 8.3 Culture as Control: Regulating the human Body
  • Power, discourse and the body: Foucault
  • Civilising the body: Elias
  • Eating: a disciplined or a civilised cultural practice?
  • Obesity wars
  • 8.4 Representations of Embodiment
  • Fashion
  • Gender difference and representations of femininity
  • Representations of masculinity
  • Representing sexuality
  • 8.5 The Body as medium of expression and Transgression
  • The emotional body
  • The sporting body
  • Body arts
  • Discoursing the fit body
  • Bodybuilding: comic-book masculinity and transgressive femininity?
  • 8.6 Cyborgism, fragmentation and the end of the Body?
  • 8.7 Conclusion
  • Further reading
  • 9 Subcultures, postsubcultures and fans
  • 9.0 Introduction
  • 9.1 Power, Divisions, Interpretation and Change
  • 9.2 Folk Devils, Moral Panics and Subcultures
  • Stanley Cohen: Folk Devils and Moral Panics
  • Moral panic updated
  • 9.3 Youth Subcultures in british Cultural Studies
  • Resistance Through Rituals: the general approach
  • Phil Cohen: working-class youth subcultures in East London
  • Ideology and hegemony
  • Structures, cultures and biographies
  • 9.4 Three Classic studies from the birmingham centre for contemporary cultural Studies
  • Paul Willis: Learning to Labour
  • Paul Willis: Profane Culture
  • Dick Hebdige: Subculture: The Meaning of Style
  • 9.5 Youth Subcultures and Gender
  • The teenybop culture of romance
  • Pop music, rave culture and gender
  • 9.6 Youth Subcultures and ‘Race’
  • Simon Jones’s Black Culture, White Youth: new identities in multiracial cities
  • 9.7 The birmingham centre for contemporary cultural studies and youth Subcultures: A General Critique
  • 9.8 Aspects of Subculture
  • Some key studies of more recent subcultures
  • 9.9 Rethinking Subcultures: Interactions and Networks
  • 9.10 Fans: Stereotypes, Star Trek and Opposition
  • Fans of Star Trek
  • Fans of daytime soap opera
  • 9.11 Conclusion
  • Further reading
  • 10 Visual culture
  • 10.0 Introduction
  • 10.1 Visual Culture and Visual Representation
  • 10.2 Modernity and Visual Culture: Classic Thinkers and Themes
  • Georg Simmel: metropolitan culture and visual interaction
  • Walter Benjamin: mechanical reproduction, aura and the Paris arcades
  • The figure of the flâneur
  • 10.3 Technologies of Realism: Photography and Film
  • The development of photography and film
  • The documentary tradition
  • Colin MacCabe: the classic realist text
  • Laura Mulvey: the male gaze
  • Slavoj Žižek: psychoanalysis and cinema
  • 10.4 Foucault: The Gaze and Surveillance
  • 10.5 Tourism and The Tourist Gaze
  • The tourist gaze
  • Postmodernism and post-tourism
  • 10.6 The glimpse, the gaze, the scan and the Glance
  • 10.7 Visual interaction in public Places
  • Categoric knowing: appearential and spatial orders
  • Unfocused interaction, civil inattention and public harassment
  • De Certeau: strategies, tactics and urban walking
  • 10.8 The City as Text
  • Marshall Berman: modernity, modernisation and modernism
  • Reading architecture
  • Reading cities: legibility and imageability
  • Reading landscape and power
  • 10.9 Visual Culture, Simulacra and the Digital
  • Digitalisation and the future of representation
  • 10.10 Conclusion
  • Further reading
  • Bibliography
  • Index