How Digital Screen Use Alienates Human Societies
Kaup valmöguleikar
Halldorsson’s How Digital Screen Use Alienates Human Societies examines recent processes of technological rationalism, which were intensified by the COVID pandemic, and it explores how they alienate human societies in the name of progress. Challenging the prevailing assumptions of such ‘progress’, the book argues that these processes undermine the essential ‘social magic’ – the everyday human sociality that builds communities – which results in societal fragmentation, marked by alienation in the form of social isolation, consumption, polarisation, fear and conflict.
The paradox of how increased connectivity through digital networks can lead to lack of human connection is the critical question this book pursues. It explores how intense processes of technological rationalisation have undermined human sociality and alienated the world by replacing human-to-human relationships with human-to-machine interactions. The author argues that communication with/through screen machines is incapable of replacing vital social relationships that breed ‘social magic’ and build communities.
This disconnection, which is driven by technological capitalism, undermines human sociality and causes alienation. Ultimately, the book asserts that humanity needs more social magic, fostered through human-to-human relationships, and offers critical sociological analysis and potential remedies. This book is a critical academic treatise. It will be of interest to social science scholars and students as well as a broader audience seeking to resist the relentless makeover of human societies, in the name of technological rationalisation, and make the world more humane, meaningful and magical.
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- Taylor & Francis
- 9781040629918
- 9781032700472
- ePub
- 1
- Vidar Halldorsson
- English
- 2026-10-06
- 100
- 2
- 2
Kaflar
- Cover
- Half Title
- Series
- Title
- Copyright
- Contents
- Preface: the connection paradox
- 1 Introduction: the illusion of progress
- 1.1 The illusion of progress
- 1.2 The argument
- 1.2.1 The value of the social
- 1.2.2 A social decadence
- 1.3 The book
- 1.3.1 Theories and methods – a sociology of rituals, emotions and perceptions
- 1.3.2 The structure of the book
- 2 The chemistry between us: the magic of the social
- 2.1 The origins of the social
- 2.2 A theory of social magic
- 2.2.1 The role of rituals
- 2.2.2 Human sociability
- 2.2.3 The ambiguity of social magic
- 3 The disenchantment and re-enchantment of the world: the rise of technological rationalism and consumer capitalism
- 3.1 The disenchantment of the world and its consequences
- 3.2 The re-enchantment of the world and its shortcomings
- 3.2.1 The perception of technology as magic
- 3.2.2 Playing god: the rise of AI’s
- 4 The alienation of screen society: a visual narrative
- 4.1 Alienation of human societies
- 4.1.1 How screens screen people from reality
- 4.2 Visual evidence proofs of alienation
- 4.2.1 A visual narrative analysis
- 4.3 The failure of screen societies
- 5 Lost in translation: the shortcomings of screen-based interactions
- 5.1 Lost in translation
- 5.1.1 Human sense and sensations
- 5.1.2 Human communication
- 5.2 The rationality of interaction rituals
- 6 Conclusion: a revival of the social
- 6.1 Machine world?
- 6.2 The paradox: why has more connection led to human disconnection?
- 6.3 The revival of the social
- Postscript
- Acknowledgements
- References
- Index