Film Theory: An Introduction

Höfundur: Robert Stam (Útgáfa: 1)
Film Theory: An Introduction

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This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others.

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Útgefandi
Wiley Global Research (STMS)
ISBN
9781119491576
Print ISBN
9780631206545
Format
ePub
Útgáfa
1
Höfundar
Robert Stam
Tungumál
English
Útgefið
2017-11-20
Prent takmörkun á líftíma
100
Prent takmörkun
10
Afritunar takmörkun
2

Kaflar

  • Cover
  • Title
  • Copyright
  • Preface
  • Introduction
  • The Antecedents of Film Theory
  • Film and Film Theory: The Beginnings
  • Early Silent Film Theory
  • The Essence of Cinema
  • The Soviet Montage-Theorists
  • Russian Formalism and the Bakhtin School
  • The Historical Avant-Gardes
  • The Debate after Sound
  • The Frankfurt School
  • The Phenomenology of Realism
  • The Cult of the Auteur
  • The Americanization of Auteur Theory
  • Third World Film and Theory
  • The Advent of Structuralism
  • The Question of Film Language
  • Cinematic Specificity Revisited
  • Interrogating Authorship and Genre
  • 1968 and the Leftist Turn
  • The Classic Realist Text
  • The Presence of Brecht
  • The Politics of Reflexivity
  • The Search for Alternative Aesthetics
  • From Linguistics to Psychoanalysis
  • The Feminist Intervention
  • The Poststructuralist Mutation
  • Textual Analysis
  • Interpretation and its Discontents
  • From Text to Intertext
  • The Amplification of Sound
  • The Rise of Cultural Studies
  • The Birth of the Spectator
  • Cognitive and Analytic Theory
  • Semiotics Revisited
  • Just in Time: The Impact of Deleuze
  • The Coming Out of Queer Theory
  • Multiculturalism, Race, and Representation
  • Third Cinema Revisited
  • Film and the Postcolonial
  • The Poetics and Politics of Postmodernism
  • The Social Valence of Mass-Culture
  • Post-Cinema: Digital Theory and the New Media
  • The Pluralization of Film Theory
  • Notes
  • Select Bibliography
  • Index
  • End User License Agreement