Film as Philosophy
Höfundar:
R. Read; J. Goodenough (Útgáfa: 1)
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A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together.
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- Springer Nature
- 9780230524262
- 9781403949004
- Page Fidelity (PDF)
- 1
- R. Read; J. Goodenough
- English
- 2005-09-27
- 100
- 2
- 2
Kaflar
- Half-Title
- Title
- Copyright
- Contents
- Preface
- Notes on Contributors
- Introduction I: A Philosopher Goesto the Cinema
- Introduction II: What Theory of Film Do Wittgenstein and Cavell Have?
- Part I
- Cogito Ergo Film: Plato, Descartesand Fight Club
- In Space, No-one Can Hear YouScream: Acknowledging theHuman Voice in the AlienUniverse
- Memento: A PhilosophicalInvestigation
- The Everydayness of Don Giovanni
- Silent Dialogue: Philosophising with Jan Svankmajer
- Calm: On Terence Malick’s The Thin Red Line
- Habitual Remarriage: The Ends of Happiness in The Palm Beach Story
- Part II
- ‘What Becomes of Thinking onFilm?’
- Bibliography
- Index