Close Reading for the Twenty-First Century
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A user’s guide to the fundamental practice of literary studies, providing context, examples, and practical exercises Close reading—making an argument based in close attention to a text—is the foundation of literary studies. This book offers a guide to close reading, treating it as a skill that can be taught and practiced. It first explains what close reading is, what it does, and how it has been used across theoretical schools ranging from affect studies to Black studies to queer theory to Marxism.
It then presents a series of master classes in the practice, with original contributions by scholars from a range of different institutions. Finally, it provides practical materials, worksheets, and suggested activities for instructors to use in the classroom. The tone throughout is encouraging and accessible, inviting readers of all backgrounds to hone their craft. The book divides the practice of close reading into five steps, coining a term for each step: scene setting, noticing, local claiming, regional argumentation, and global theorizing.
It traces the roots of close reading, showing how it has spread far beyond its origins in practical criticism and New Criticism. In twenty-one short chapters, contemporary scholars discuss close readings by such prominent literary critics as Erich Auerbach and Helen Vendler, describing how their arguments work and how to achieve similar results. An essential resource for instructors and students at the undergraduate level and beyond, this book shows how understanding close reading can make us better readers, thinkers, and writers.
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- Princeton University Press
- 9780691265711
- 9780691265704
- ePub
- 0
- Dan Sinykin; Johanna Winant
- English
- 2025-10-21
- 100
- 2
- 2
Kaflar
- Cover
- Skills for Scholars
- Title Page
- Copyright
- Contents
- Preface
- Introduction
- What Close Reading Is
- What Close Reading Does
- What Close Reading Has Been
- Part I. Scene Setting
- 1. Near Monstrous Fidelity: Erich Auerbach on Virginia Woolf
- 2. Touching, Reading: Eve Kosofsky Sedgwick on Henry James
- 3. A Pedicure: Angela Leighton on Alice Oswald
- Part II. Noticing
- 4. Close Reading Drama: Eric Griffiths on William Shakespeare
- 5. The Poet’s Choices: Helen Vendler on John Keats
- 6. What Beauty Hides: Toni Morrison on Marie Cardinal
- 7. Grist for the Mill: Christopher Ricks on Cliché
- 8. An Odd Way of Listening to Men: Barbara Johnson on Jane Campion
- Part III. Local Claiming
- 9. The Apple of Experience: Erich Auerbach on Adam and Eve
- 10. Local Claiming, Capacious Life: Kevin Quashie on Lucille Clifton
- 11. Exquisite, Golden, Fragrant, Flaunting: Judith Butler on Nella Larsen
- 12. A Matter of Perspective: Eleni Coundouriotis on Yambo Ouologuem
- 13. What, What to Do with All This Black Feminine Life?: Hortense Spillers on Gwendolyn Brooks
- Part IV. Regional Argumentation
- 14. The Drama of Comparison: Alex Woloch on Jane Austen
- 15. Befriending Poems: Robert Penn Warren on John Crowe Ransom
- 16. Close Reading and the General: Qolamhossein Yousefi on Ahmad Shamlu
- 17. Vibe Theory: Lauren Berlant on John Ashbery
- Part V. Global Theorizing
- 18. Going Global: William Empson on William Shakespeare
- 19. Little Bit of Ivory: D. A. Miller on Jane Austen
- 20. Dirty Projectors: Sianne Ngai on Alfred Hitchcock
- 21. The Art of Both-And: Jahan Ramazani on Daljit Nagra
- Practical Materials
- Reading Close Readings
- Writing Close Readings
- Using Close Readings
- Acknowledgments
- List of Contributors
- Index