Churchill
Kaup valmöguleikar
An entirely new perspective on Churchill and his paintings told in his own words and including material never before published, edited and introduced by David Cannadine. Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life.
In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs. In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill's life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill's writings and speeches on art, not only 'Painting as a Pastime', but his addresses to the Royal Academy, his reviews of two of the Academy's summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchill's contemporaries: Augustus John's hitherto unpublished introduction to the Royal Academy exhibition of Churchill's paintings in 1959, and essays and reviews by Churchill's acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton. The book is lavishly illustrated with reproductions of many of Churchill's paintings, some of them appearing for the first time.
Nánar um bókina
- Bloomsbury UK
- 9781472945228
- 9781472945211
- ePub
- 1
- David Cannadine
- English
- 2018-09-06
- 100
- 10
- 10
Kaflar
- Cover
- Half Title
- Dedication
- Title Page
- Contents
- List of Illustrations
- Preface
- Introduction by David Cannadine
- I
- II
- III
- IV
- V
- Notes
- PART ONE: CHURCHILL ON ART
- 1. ‘NOT A VERY AMIABLE TOPIC’: Speech to the Royal Academy banquet, Burlington House, London, 4 May 1912
- 2. ‘THE NAVAL GREATNESS OF BRITAIN’: Speech to the Royal Academy banquet, Burlington House, London, 3 May 1913
- 3. ‘ART IN ALL ITS FORMS’: Speech to the Royal Academy banquet, Burlington House, London, 3 May 1919
- 4. ‘ART AND POLITICS’: Speech to the Royal Academy banquet, Burlington House, London, 1 May 1927
- 5. ‘POLITICAL PAINTERS’: Speech to the Royal Academy banquet, Burlington House, London, 30 April 1932
- 6. ‘THE ACADEMY REVEALS BRITAIN’S BRAVE GAIETY’: Daily Mail, 7 May 1932
- 7. ‘THIS YEAR’S ROYAL ACADEMY IS EXHILARATING’: Daily Mail, 16 May 1934
- 8. ‘SEA POWER’ IN ART: Speech at the art exhibition opening, New Burlington Galleries, London, 27 July 1937
- 9. ‘WE OUGHT INDEED TO CHERISH THE ARTS’: Speech to the Royal Academy banquet, Burlington House, London, 30 April 1938
- 10. PAINTING AS A PASTIME: 1948
- 11. ‘BETWEEN TRADITION AND INNOVATION’: Speech to the Royal Academy banquet, Burlington House, London, 30 April 1953
- 12. ‘A NEW ELEVATION OF THE MIND’: Speech to the Royal Academy banquet, Burlington House, London, 28 April 1954
- PART TWO: ON CHURCHILL’S ART
- 1. ‘Painting a Picture is Like Fighting a Battle’: Eric Newton1950
- 2. ‘UNITY, VITALITY, INFINITY AND REPOSE’: Thomas Bodkin1953
- 3. ‘GAY, BRILLIANTLY COLOURED CANVASSES’: John Rothenstein1954
- 4. ‘Long May He Thrive!’: Augustus John1959
- 5. ‘A RECOGNIZABLE INDIVIDUALITY’: Thomas Bodkin1959
- 6. ‘A Great Presiding Presence’: John Rothenstein1970
- Notes
- Acknowledgements
- Index of names
- A Note on the Author
- Image Section
- Copyright Page