Adaptation and Appropriation

Höfundur: Julie Sanders (Útgáfa: 2)
Adaptation and Appropriation

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From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.

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Útgefandi
Taylor & Francis
ISBN
9781317572206
Print ISBN
9781138828988
Format
ePub
Útgáfa
2
Höfundar
Julie Sanders
Tungumál
English
Útgefið
2015-11-19
Prent takmörkun á líftíma
100
Prent takmörkun
2
Afritunar takmörkun
2

Kaflar

  • Cover Page
  • Half-Title Page
  • Title Page
  • Copyright Page
  • Dedication
  • Table of Contents
  • Series editor's preface
  • Acknowledgements
  • Epigraph
  • Introduction: Going on (and on)
  • Part I Defining terms
  • 1 What is adaptation?
  • 2 What is appropriation?
  • Part II Literary archetypes
  • 3 ‘Here's a strange alteration’: Shakespearean appropriations
  • 4 ‘It's a very old story’: Myth and metamorphosis
  • 5 ‘Other versions’ of fairy tale and folklore
  • Part III Alternative perspectives
  • 6 Constructing alternative points of view
  • 7 ‘We “other Victorians”’: Or, rethinking the nineteenth century
  • 8 Stretching history: Or, appropriating the facts
  • 9 Customized narratives: Copyright and the work of art in the age of technological reproducability
  • Afterword: Different versions
  • Glossary
  • Bibliography
  • Index